Rajon Rondo

The Inbounds: Rajon Rondo and a game of art not science

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Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.

……………

B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

Report: Clippers exploring leaving Lakers at Staples Center, getting their own arena

LOS ANGELES, CA - JANUARY 29:  Jamal Crawford #11 of the Los Angeles Clippers pulls up for a shot between Brandon Bass #2 and D'Angelo Russell #1 of the Los Angeles Lakers at Staples Center on January 29, 2016 in Los Angeles, California.  NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this Photograph, user is consenting to the terms and condition of the Getty Images License Agreement.  (Photo by Harry How/Getty Images)
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The Clippers don’t just play second fiddle to the Lakers in Los Angeles. They play second fiddle to the Lakers in their own arena.

Unless the Clippers want to move from the NBA’s second-biggest market, the former isn’t changing.

The Latter?

Kevin Arnovitz of ESPN:

The Clippers want to escape the Lakers’ shadow. Leaving the Staples Center wouldn’t turn the Clippers into L.A.’s team, but it’d give them a new avenue for attention — and revenue.

Of course, if the Clippers stay in the Staples Center, they’ll want the best terms possible. Leaking interest in a new arena only helps their bargaining position.

Report: Wizards unlikely to extend Otto Porter’s contract

WASHINGTON, DC - FEBRUARY 28: Otto Porter Jr. #22 of the Washington Wizards reacts after scoring a three-pointer against the Cleveland Cavaliers during the second half at Verizon Center on February 28, 2016 in Washington, DC. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement. (Photo by Patrick Smith/Getty Images)
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The small forward of the Wizards’ dreams, Kevin Durant, plays for the Warriors.

So, Washington is left with Otto Porter.

How do the Wizards feel about that?

J. Michael of CSN Mid-Atlantic:

Otto Porter appears likely to become a restricted free agent next summer, with no movement towards an extension to his rookie scale contract with the Wizards before starting the 2016-17 season, league sources tell CSNmidatlantic.com.

Porter, the No. 3 pick in the 2013 draft, has steadily improved in his three NBA seasons. He didn’t exactly take off last season from his breakout 2015 playoffs, but he’s still on an upward trend.

Just 23, Porter should continue in the right direction.

The combo forward a good and long defender. He gets out well in transition, shoots reasonably well from outside and minimizes his mistakes.

Without knowing offer terms, it’s impossible to say whether the Wizards are waiting to see more or Porter is betting on himself. Quite possibly, it’s somewhere in between.

Draymond Green says he didn’t talk much with Kevin Durant during playoffs

OAKLAND, CA - MAY 30:  Kevin Durant #35 of the Oklahoma City Thunder hugs Draymond Green #23 of the Golden State Warriors after losing 96-88 in Game Seven of the Western Conference Finals during the 2016 NBA Playoffs at ORACLE Arena on May 30, 2016 in Oakland, California. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement.  (Photo by Ezra Shaw/Getty Images)
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Thunder players were reportedly bothered by the relationship between Kevin Durant and Draymond Green last season.

The Warriors recruited Durant throughout the year, but that got complicated when Golden State met Oklahoma City in the Western Conference finals.

But Green says the players didn’t cross a line.

Green (hat tip: Erik Horne of The Oklahoman):

Me and KD weren’t really talking during the playoffs. During the playoffs, it’s a little different. More is at stake. So, we weren’t talking much, and that’s normal. So, I heard something come out where they said, “Oh, Kevin Durant and Draymond was talking during the playoffs.” They were lying. But if that’s what they want to believe, if that makes them feel better about themselves — and when I say “them,” I’m talking about whoever, whoever’s saying it — then believe it. But they’re wrong.

If Green and Durant kept their distance during the postseason, that seems reasonable.

Durant’s former co-workers shouldn’t have a right to dictate his friends outside work, but when there’s direct competition, it’s a little different. It’s fair to ask Durant to separate himself from Green then.

There’s still no perfect solution. Durant’s and Green’s prior relationship opened the door for questions. But suggesting Durant and Green never should have bonded in the first place is unrealistic.

So, there’s little left to do but hope Durant and Green handled it was well as Green said they did.

 

Enes Kanter on claim nobody wants to play with Russell Westbrook: ‘Wrong!!!’

SAN ANTONIO,TX - MAY 10:  Russell Westbrook #0 of the Oklahoma City Thunder celebrates with Enes Kanter #11 after a win against the San Antonio Spurs in game Five of the Western Conference Semifinals during the 2016 NBA Playoffs at AT&T Center on May 10, 2016 in San Antonio, Texas.  NOTE TO USER: User expressly acknowledges and agrees that , by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement. (Photo by Ronald Cortes/Getty Images)
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Kevin Durant might have left the Thunder, in part, because he grew tired of playing with Russell Westbrook.

But does that mean nobody wants to play with Westbrook?

Presented with that claim, Oklahoma City center Enes Kanter refuted it strongly:

Of course, many players want to play with Russell Westbrook. He’s a great player and even better competitor. People want to be around someone so maniacal about winning and capable of delivering.

But there’s an obvious difference between Kanter and Durant. It’s much easier for a pick-and-roll big man than a superstar wing to play with Westbrook.

Westbrook tends to over-dribble, and he can be selfish. I’d understand Durant preferring a team with more ball movement like the Warriors.

Kanter doesn’t have the cachet to pick any team at any salary like Durant did. Of his options, Kanter is probably genuinely happy to play with Westbrook. And the Thunder should be happy to have Westbrook (as long as they do). His strengths far outweigh his flaws.

No scoring star seamlessly blend with each other. Even LeBron James and Dwyane Wadeclose friends and one an elite passer — struggled to mesh early in their Heat days. It’s just hard when there’s one ball.

So, it’s unfair to kill Westbrook for this drawback to his game. Maybe he’d click better with another star who’s more aggressive than Durant. And it’s not even as if Westbrook and Durant failed together. Oklahoma City won a lot of games with those two.

Plenty of players would sign up to replace Durant as Westbrook’s partner in crime.