Rajon Rondo

The Inbounds: Rajon Rondo and a game of art not science

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Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.

……………

B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

Another report Donatas Motiejunas, Rockets nowhere near deal as deadline approaches

LOS ANGELES, CA - DECEMBER 17:  Donatas Motiejunas #20 of the Houston Rockets is fouled as he shoots by Julius Randle #30 of the Los Angeles Lakers during the first half at Staples Center on December 17, 2015 in Los Angeles, California.  NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this Photograph, user is consenting to the terms and condition of the Getty Images License Agreement.  (Photo by Harry How/Getty Images)
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Donatas Motiejunas and his agent had given the Rockets a Saturday deadline to make a contract extension offer they liked.

But the sides aren’t even talking in a serious way.

That was reported early on Friday, and now comes another report — this was from Calvin Watkins of ESPN — that the two sides are nowhere close to a deal.

With the deadline to sign a qualifying offer approaching, restricted free-agent power forward Donatas Motiejunas and the Houston Rockets have exchanged contract proposals but remain far apart on an agreement, multiple sources told ESPN.

Motiejunas is seeking a larger financial deal from the Rockets, but the two sides haven’t had serious contract discussions in a month, the sources said.

Motiejuas, a restricted free agent, has a $4.4 million qualifying offer on the table that expires Sunday. He likely will sign it — if so he will have the ability to veto trades during the season then would be a free agent next summer.  Motiejuas could let the deal expire then sign a new one-year deal with the Rockets, but he would make less money.

Last season the Rockets agreed to trade Motiejunas to the Pistons. However, Pistons voided the deal after he failed his physical. Motiejunas hammered Detroit for how it went down. That left Motiejunas a restricted free agent this summer, but he didn’t land any offers from other squads (many thought the Rockets would just match).

That gets us to where we are today, where Motiejunas appears headed to signing the qualifying offer, then testing the market next summer as an unrestricted free agent.

Sacramento Kings prepare to open state-of-the-art downtown arena

This photo taken Tuesday, Sept. 27, 2016, is the new Golden 1 Center in Sacramento, Calif. The 17,500-seat arena, the new home of the NBA's Sacramento Kings basketball team features among other things, the NBA's first 4k ultra HD video board that stretches 84 feet above the court with more than 38 million pixels. The Kings' first game in the arena will be a preseason match against Maccabi Haifa, of Israel, Oct. 10. (AP Photo/Rich Pedroncelli)
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SACRAMENTO, Calif. (AP) — After years of searching for a new home, the Sacramento Kings are set to open a new venue that raises the bar of what an arena can be.

Along with some of the modern accouterments that have become commonplace like smartphone apps that allow fans to order food or watch replays from their seats, giant screens to watch the game and high-speed connections that let fans post photos almost instantaneously, the Golden 1 Center also has many first-of-its-kind features.

There are the airplane hangar doors that can open to turn the venue into an indoor-outdoor arena and the “smart turnstiles” that will allow fans to enter at more than triple the usual speed. But perhaps most important to Kings owner Vivek Ranadive are the environmental features that make it the first indoor venue to receive LEED Platinum certification – the highest level of recognition for environmentally conscious buildings.

The 17,500-seat arena will be the first professional sports venue powered completely by solar energy, will save about 1 million gallons of water a year compared to a typical venue of its size, was built with recycled material from the mall that stood at the site before construction began and will get 90 percent of its food and beverages from within 150 miles.

“We felt we had to set a new bar,” Ranadive said. “We have to be cognizant of the kind of planet we want to leave our kids and next generations. This had to be the greenest arena ever built. … I fully expect that arenas in the future will be even better, be even more sustainable. Hopefully what we have here is an example of how to build a great arena and still be responsible to the environment.”

Ranadive bought the team in 2013 for $534 million, saving the franchise from a planned move to Seattle. The next task was getting the new downtown arena built.

Ranadive wanted an “iconic” venue that would anchor a revitalized downtown and he believes the nearly $600 million facility that opens this weekend has achieved that goal.

The arena is part of a $1 billion development project that includes 1.5 million square feet of mixed-use property that will have a hotel, restaurants, retail shops, offices and condos. About $500 million in outside investment is also expected in the area.

“This arena is the 21st century cathedral,” Ranadive said. “It’s the communal fireplace where people used to gather in old times. For us, it’s always been about more than basketball.”

Befitting a team owned by a tech mogul who made his billions in Silicon Valley, the arena was built with enough technology to “future proof” it. It has enough bandwidth for a small city, allowing fans to post 250,000 Instagram photos per second and 500,000 Snapchats per second, according to chief technology officer Ryan Montoya.

It has the NBA’s first 4K ultra HD videoboard – providing a picture four times clearer than HD – that stretches 84 feet long. The in-stadium app will give fans the best driving instructions based on traffic and parking spots. It will allow them to order food or merchandise to their seat, watch live-streamed video on their phone and even place non-monetary bets on the outcomes of plays that can earn fans points that can be redeemed for prizes.

There will even be facial recognition software that will allow players to enter secure areas and could one day be expanded to fans if they opt in to that option, making a more “frictionless” experience.

“Our arena is more about code than it is concrete,” team President Chris Granger said. “The idea is to create a platform that allows us to grow and expand and change the fan experience as the technology adapts.”

Overseeing all of the technology is a mission control room that will feature law enforcement and emergency medical services personnel, building operations officials, social media and guest services workers and others who will monitor all aspects of the arena on game days.

Perhaps the most unique feature will be the hangar doors, which can open to allow the delta breeze to cool the building and provide the option for concerts – or eventually even basketball games – with an indoor-outdoor feel.

The Kings have had talks with the NBA about what conditions would need to be met before they could play a game with the open doors but the team believes it will be able to control the temperature, humidity and wind well enough to make the conditions on the court comparable to a fully indoor arena.

The team plans to hold its open practice with the doors open and could do the same for an exhibition game against a non-NBA team. The Kings also could open the doors for college or high school games in order to gather enough data to show the league.

“They know we want a home-court advantage and they know that we want to enjoy the indoor-outdoor arena,” Ranadive said. “I fully expect we’ll figure out a way to get that home-court advantage.”

Chris Bosh on Heat’s young talent: ‘It’s their time’

CHARLOTTE, NC - APRIL 23:  Chris Bosh #1 of the Miami Heat talks to teammates Justise Winslow #20 and Udonis Haslem #40 against the Charlotte Hornets during game three of the Eastern Conference Quarterfinals of the 2016 NBA Playoffs at Time Warner Cable Arena on April 23, 2016 in Charlotte, North Carolina.  NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement.  (Photo by Streeter Lecka/Getty Images)
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Justise Winslow eventually wants his own team.

That day may be here.

LeBron James is with the Cavaliers. Dwyane Wade is with the Bulls. And now Chris Bosh – the last of the Heat’s big three still in Miami, embroiled in a dispute with the team over his health that likely has him moving on from Miami (and he’s not thrilled about it).

That said, Bosh sounds ready to defer to a younger generation led by Winslow and Hassan Whiteside.

In introducing his latest video, Bosh wrote this on his personal website:

I remember just a few years ago when the Big 3 were together and we were having a ball playing the game we love with some of the most professional, talented guys the NBA has ever seen.

I remember the fans of Miami coming out to see the show every night. The love, the compassion and the energy we felt was second to none. I want to thank the city of Miami from the bottom of my heart because things may change but the good times will last forever in my memories. Thank you!

Things are different now and Miami has incredible young talent with a tremendous upside. These are not only talented ball players but great people and friends. I enjoyed playing with those guys and doing my best to mentor them by being an upstanding role model and veteran player. It’s their time to go through the ups and downs of the game with this great city.

Bosh is not accepting that his career is over.

However, he sounds like a guy who likes the Heat’s young stars.

Pat Riley’s response: It was Bosh who cut off communication

WASHINGTON, DC - MARCH 28:  Pat Riley looks on during the East Regional Round of the 2013 NCAA Men's Basketball Tournament at Verizon Center on March 28, 2013 in Washington, DC.  (Photo by Win McNamee/Getty Images)
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“I didn’t see my career in Miami ending like this. I didn’t get a call or a test or anything like that.”

That was Chris Bosh‘s comment in his latest self-directed video, one where he learns that he failed his physical with the Heat and they are not looking to bring him back. In that video he says that his career is not over, and along the way he takes some shots at team president Pat Riley and the Miami organization, saying they did not communicate with him.

Riley countered that it was Bosh who cut off communication, as told to Manny Navarro of the Miami Herald.

Bosh has never been cleared by the team.

Bosh’s time in Miami is over, and those bridges are aflame right now. There is no going back. The problem is there are no good alternatives for him or the team moving on from this situation (unless he wants to forfeit a vast majority of the $75 million he is owed to facilitate a buyout). This situation is going to drag out for a while.