The Inbounds: Rajon Rondo and a game of art not science

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Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.

……………

B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

Purdue’s Caleb Swanigan staying in 2017 NBA draft

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Purdue’s Caleb Swanigan declared for the 2016 NBA draft, struggled at the combine, withdrew, got into great shape, had an All-American sophomore season, declared for the 2017 draft.

This time, he’s not turning back.

Swanigan:

Swanigan is a borderline first-round pick. He has a couple NBA-ready skills the good teams that typically pick late in the first round might covet, but thanks to trades, teams that didn’t win a playoff game this year hold most late first-round picks. They might pick someone with more upside than Swanigan.

Swanigan is a tenacious rebounder, particularly defensively. He has excellent fundamentals, size (6-foot-9 with a 7-foot-3 wingspan) and ability to read the ball, and he crashes through contact to hunt boards.

He’s also a quality post-up player who can finish with either hand and has the passing ability to make that play work.

But Swanigan is slow. NBA teams have become increasingly adept at running plodders like him off the court by dragging them into pick-and-rolls. Even when on the court, he hasn’t protected the rim at satisfactory levels.

Swanigan has overcome his athletic limitations as a rebounder. He hasn’t done so in other facets of defense.

He’s hardly a dinosaur offensively. He made 45% of his 3-pointers last season, and though I’m not confident that will translate to NBA 3-point range (give the small sample and his form), he should be at least a midrange threat.

Swanigan is also just 20, young for a sophomore. He can improve.

But it’s just hard to look past his defensive limitations.

Hawks hire Travis Schlenk as general manager

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The Hawks picked Warriors assistant general manager Travis Schlenk as their next general manager. All that was left was negotiating terms.

That’s done.

Hawks:

The Atlanta Hawks today announced the hiring of Travis Schlenk as General Manager and Head of Basketball Operations. He will start leading Hawks basketball operations on June 1.

Schlenk worked his way up the latter and helped the Warriors become the envy of every other NBA team. He deserves this opportunity.

But the job won’t be easy.

The Hawks are stuck between two directions. On one side, they have veterans Paul Millsap (a 32-year-old pending unrestricted free agent whom the owner has basically promised a huge contract) and Dwight Howard (who sounds unhappy). On the other side, they have a youth movement featuring Dennis Schroder and Taurean Prince. Tim Hardaway Jr., who bridges the age groups, is about to enter a potentially tricky restricted free agency.

Keeping the core together offers the upside of a playoff-series victory or two annually, modest outcomes for the cost. But a fragile Atlanta fan base might not tolerate a rebuild.

Schlenk works for owner Tony Ressler, and Ressler sounds committed to maintaining the status quo by keeping Millsap. It’s now Schlenk’s job to execute that vision or convince his boss to approve a different direction.

Potential none-and-done first-rounder Hamidou Diallo returning to Kentucky

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The more I’ve looked into the 2017 NBA draft, the less impressed I’ve become. There are a few bright spots in the first round relative to an average draft – No. 2, 5ish-10ish, 17ish-22ish – but I’m not convinced this is the generationally strong draft it has been touted as.

In the absence of prospects who offer secure promise, why not turn to upside? Hamidou Diallo offered plenty and was increasingly viewed as a first-rounder.

Yet, he’ll return to Kentucky for his freshman season.

Diallo:

A highly ranked recruit, Diallo began last school year at a prep school then enrolled at Kentucky for the spring semester. He practiced with the Wildcats, but never played.

Then, he went to the combine and posted excellent measurables: 6-foot-5, 6-foot-11 wingspan, 44.5-inch vertical and strong agility and sprint scores. Just 18, Diallo might have been the second-youngest player drafted this year (behind only Ike Anigbogu).

It wouldn’t have taken long – likely somewhere in the middle of the first round – for a team to bite on all that potential.

Instead, Diallo returns to Kentucky and must now show his ability to actually produce in basketball games. If he does, there’s no limit on how high he goes in the 2018 NBA draft. If he doesn’t, he’ll regret missing the opportunity to get drafted before his game got picked apart.

Report: Bulls expect Dwyane Wade to opt in

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Dwyane Wade said he wants to see the Bulls’ plan for Jimmy Butler and the rest of the roster before deciding on a $23.8 million player option for next season.

K.C. Johnson of the Chicago Tribune:

I can tell you is most everyone associated with the Bulls believes Wade will pick up the option and remain in Chicago for a second season. More surprising things have happened in league history, though. So stay tuned.

This could be a tell that Wade will opt in. The Bulls could obviously be positioned to base their prediction on inside information into Wade’s thinking.

This could a tell the Bulls won’t trade Butler. If they know they’ll keep Butler, they can extrapolate what that’d mean for Wade.

Or the Bulls, like so many of us, just assume a 35-year-old Wade won’t turn down so much guaranteed money at this stage of his career.