The Inbounds: Rajon Rondo and a game of art not science

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Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.

……………

B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

MVP James Harden, dominant Rockets show up in second half, crush Timberwolves

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We had to wait three-and-a-half games for it.

We had seen James Harden play like an MVP all season. We had seen the Rockets bury threes at a record rate all season. We had seen Houston’s switching defense impress all season (sixth best in the NBA). We had seen Houston rack up 65 wins and make it look easy.

Then we got to the playoffs and the Rockets couldn’t put it all together at once. Harden struggled after Game 1, including going 0-of-7 in the first quarter Monday night. The defense was inconsistent and the threes were not falling. All of it let the Timberwolves hang around in the series — down 2-1 — and the same in Game 4, down just a point at halftime.

Then the Harden and Rockets we all expected showed up.

Houston put up 50 points in the third quarter alone, shooting 61 percent overall and 9-of-13 from three, plus they got to the line 13 times and made every shot. The Rockets opened the second half on an 11-0 run that extended all the way to 25-4, with almost all of the damage from Harden, who had 22 in the quarter.

The Rockets pulled away and cruised from there to an easy 119-100 win.

“We hit the switch, the switch we’ve been trying to hit since the beginning of the playoffs on both ends of the floor,” Harden said postgame. “It’s pretty scary what we’re capable of when defensively we’re locked in like that, and offensively we got rolling.”

Houston now leads the series 3-1 and can close it out at home in Game 5 Wednesday night.

In the first half this looked nothing like something that would end with a comfortable Rockets win. Houston struggled at the start of Game 4, opening 0-of-5 in the paint, including Harden missing an open layup. As a team, the Rockets started the game 4-of-16 from three, and a lot of those were uncontested looks. The Rockets play a lot of isolation, but even for them the ball seemed to stick in the first half. If not for Trevor Ariza knocking down three from beyond the arc, the Timberwolves might have been able to pull away.

The fact they didn’t was a blown opportunity for the Timberwolves, something they just can’t do in this series. It was a one-point Rockets lead, 50-49, at the half.

Minnesota had some moments on offense in the game, usually when attacking quickly off the Rockets switch. Derrick Rose had some moments and finished the game with 17 points. Karl-Anthony Towns had 22 points and 15 rebounds, Jimmy Butler had 19 points on 17 shots.

But that was no match for the Rockets when they flipped the switch.

It was a barrage of threes that we have waited for all season, and it all started with Harden and Chris Paul, they had all of the first 15 points of the second half for Houston. Harden finished with 36 points and hit 5-of-11 from three. CP3 had 25 points and six assists, Eric Gordon finally woke up in this series with 18, and Ariza finished with 15.

Minnesota is a talented team, but they are learning fast what a contender can do — even not at their peak the Rockets had taken two of the first three in the series, and when they did flip the switch it was another level. A level the Timberwolves want to get to, there are just some rough lessons along the road to getting there.

James Harden puts on show to start second half vs. Timberwolves

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James Harden started Game 4 0-of-7 from the floor, including missing a lay-up. It was an extension of Game 3, and it let the Timberwolves hang around for a half despite their own offensive woes.

Then in the second half the MVP Harden showed up.

Houston started the second half on an 11-0 run that extended all the way to 25-4, and a lot of it was Harden (with a little help from Chris Paul). Harden had 22 points in the third (with 4:30 left in the quarter). After a couple rough games the Timberwolves were going under the pick when Harden had the ball, and suddenly he made them pay.

Or, he was just stepping back.

With all the buckets the Rockets turned a close game into a 25 point lead.

Tyronn Lue doesn’t hold back with retort to heckling Pacers’ fan

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It’s a part of the NBA experience that most fans don’t get to hear — some fans courtside heckling opposing players and coaches, and those guys occasionally firing back. We only tend to hear about it when things cross a line.

Sometimes the interactions are just funny, such as this one passed along by J. Michael of the Indy Star.

Well played, Lue.

Although is Cleveland really a city at the forefront of fashion? Well, I suppose if you went to college in Nebraska…

Report: Pelicans picked up Alvin Gentry’s option for next season before sweep

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Last summer the buzz was all over the league: Pelicans GM Dell Demps and coach Alvin Gentry were given a “playoffs or bust” mandate by management. If the Pelicans were not in the postseason — and just barely getting in and then blown out in the first round might be good enough — there was going to be a housecleaning.

The Pelicans made the playoffs as the six seed with 48 wins despite losing DeMarcus Cousins to a torn Achilles midway through the season.

That alone was good enough to get Gentry another season in New Orleans, reports Adrian Wojnarowski of ESPN.

As noted, this happened before the Pelicans swept the Trail Blazers out of the first round and into a summer of re-evaluation. This option season is the last of Gentry’s original deal with the Pelicans.

Gentry has the Pelicans playing fast, using the elite defense of Anthony Davis and Jrue Holiday to get stops, and right now Davis is leading an offense that is just getting it done, with guys such as Nikola Mirotic stepping up. Gentry has earned another year, and a shot to integrate Cousins into this style and level of play, to see where that could take New Orleans next season.

It will be interesting to see if Demps can add more shooting and versatility with a capped out roster.