Rajon Rondo

The Inbounds: Rajon Rondo and a game of art not science

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Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.

……………

B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

Watch LeBron James drop 33 on Raptors in Game 6 win

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Friday night was a step forward in maturity for the Cleveland Cavaliers — given the chance to close out a conference finals on the road, in a place they had struggled, the team stepped up and did so convincingly.

They did it following the lead of LeBron James, who attack the basket from the start on his way to a team-high 33 points and 11 assists. LeBron set the tone and the rest of the Cavaliers followed.

Above you can see just how LeBron racked up those points. It’s an impressive display.

Report: In surprise to nobody, Bismack Biyombo will decline option, become free agent

TORONTO, ON - MAY 27:  Bismack Biyombo #8 of the Toronto Raptors reacts after being called for a foul against the Cleveland Cavaliers in the first quarter in game six of the Eastern Conference Finals during the 2016 NBA Playoffs at Air Canada Centre on May 27, 2016 in Toronto, Canada. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement.  (Photo by Vaughn Ridley/Getty Images)
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This is not only expected, but it’s also the move all of us would make. Unless you hate money.

Raptors big man Bismack Biyombo has a player option on his contract for next year, pick it up and he returns to the Raptors at $2.9 million. Or, he can decline the option and become a free agent, where he may make about $17 million a season. So what do you think he’s doing? From Marc Stein of ESPN:

Certainly, the Raptors can’t retain Biyombo’s services, it’s just going to be expensive to do so.

If $15 million (at least) seems a lot for a player who can only impact the defensive end of the floor because of poor hands and a limited offensive game, you would be correct. Welcome to the crazy cap-spike summer the NBA is about to experience. The market will be flooded with cash (at least 20 teams will be able to afford a max player) and players with a valuable skill hitting that market are going to get PAID. Biyombo can block shots and rebound like a beast, and in an increasingly small-ball NBA era those skills have value. Teams will live with having to play 4-on-5 on offense to have those skills on the roster.

The real question is which teams — the Lakers? — and how much of that cap space are they willing to give up for him? It’s going to be an interesting July.

Drake congratulated LeBron James in hallway after game

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Drake is a Toronto native and a huge Raptors’ fan. He’s officially the team’s “global ambassador,” although nobody knows what that actually means.

Drake is also tight with LeBron James.

As LeBron is running down the hall to get to the locker room and celebrate making a sixth straight trip to the Finals Drake stops him to congratulate him. And Drake is one of the handful of guys LeBron will stop and talk to.

Nothing wrong with this, either. Drake has walked a line the whole series — he’s a Raptors fan, he’s trolled LeBron and Kyrie Irving on social media after Toronto wins, but he’s close with Cleveland’s players and has been seen in the Cavaliers locker room plenty the past few seasons.

Some fan bases (we’re looking at you, Philly) would flip out over this kind of divided loyalty, but not Canadians who will just forgive and move on.

LeBron James leads Cavaliers back to Finals doing it his way

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LeBron James is the first NBA star of the social media age, and with that has come a volume of criticism that the greats before him — Bill Russell, Magic Johnson, Michael Jordan — never had to deal with.

Even these playoffs, there have been chattering voices knocking LeBron for how he worked more to set up teammates — particularly Kyrie Irving and Kevin Love — more than seeking out his own shot. Some people have always wanted him to be more Jordan, when he was always more Magic. Or Oscar Robertson.

And this playoff he knew that he could carry his Cavaliers to the NBA Finals through a diluted East, but if he wanted a ring he was going to need those other players to be confident, ready, and believing in the team.

You could see that all come together for LeBron James in Game 6. He attacked early and set a tone, then got everyone involved on his way to 33 points and 11 assists in what became a 113-87 win sending Cleveland back to the NBA Finals.

“I just had to bring my game,” James said in his on-court postgame interview on ESPN. “I had to bring my game, I had to be in attack mode from the beginning, trust my shot, and once my shot start going I can get my teammates involved and they was able to carry me down the stretch.”

LeBron James was getting to the rim with those attacks, check out his shot chart:

LeBron shot chart

LeBron also keyed the fourth-quarter 22-7 run that put away the game.

“There is only one LeBron James, and he makes a difference on any team he plays on, and he’s proven that,” Raptors coach Dwane Casey said postgame. “It’s six Finals (in a row for LeBron), to compare him to our team — and I love our players, I wouldn’t trade any of our players — but you put him on any team and he’s a difference maker.”

LeBron’s critics will not be silenced. The man has made six straight finals, a feat not accomplished by anyone since a few legendary Celtics of the 1950s-60s (Bill Russell’s teams). It speaks to LeBron’s focus, skill, durability, and ability to lead teams.

Critics will point to LeBron being 2-4 in the Finals. That misses the point — making it to six straight is an amazing accomplishment, and LeBron did it his way. Not trying to be MJ or Magic or Oscar, just being LeBron James.

We should savor watching this guy play while we still can.