Rajon Rondo

The Inbounds: Rajon Rondo and a game of art not science


Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.


B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

Sixers’ Jahlil Okafor said he’s “embarrassed,” called actions “dumb”

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Sixers’ big man Jahlil Okafor isn’t going to face serious repercussions for getting involved in a fight outside a Boston nightclub on Wednesday. The police are not investigating, the team is not suspending him (he is playing Friday night against Houston) and the Sixers are supporting him.

But Okafor admits he should have walked away, and his actions were “dumb” and “embarrassing.” Here is the money quote (the full video interview is above):

“It was definitely dumb on my part. It’s something that I am embarrassed about, (we’re) still dealing with the league and the team. But I’m not happy about it at all.”

Of course, this has led to renewed criticism of people around the league who are not fans of GM Sam Hinkie’s pushing the “be bad to get good” boundaries to new levels. Like it or not, that system can work, and depending on how the next draft unfolds, the future of Joel Embiid, and when Dario Saric comes over, there could be some very nice young building blocks — some real franchise cornerstones — in Philly in a couple of years. The plan can work if Hinkie nails the draft.

But one criticism of their plan does ring true to me — a couple louder, veteran voices in the locker room could help the maturation process. Would it have kept Okafor from doing something stupid with a heckler in front of a club? Likely not. But it would speed up the learning process, it would instill professionalism rather than the more chaotic system now. Michael Lee summed it up well at Yahoo.

The 76ers haven’t had a player older than 25 step on the court this season…. Carl Landry is the team’s oldest player at 32 but he has yet to make his season debut, putting too much pressure on Brett Brown and his coaching staff to teach the kids what it takes to be professional.

Philadelphia hasn’t hidden its desire to lose big now to win big later, but it shouldn’t just view veterans as salary-cap holds or a means to acquire more second-round picks. The Minnesota Timberwolves finished with the league’s worst record last season but invested in expediting the development of No. 1 overall pick Karl-Anthony Towns, reigning Rookie of the Year Andrew Wiggins and fellow first-round pick Zach LaVine by bringing in aging vets Kevin Garnett, Tayshaun Prince and Andre Miller to help serve as examples on and off the court….

Through his one notable misstep thus far, Okafor might inspire the necessary change in Philadelphia. Having seasoned players around won’t prevent kids from making mistakes altogether, but the TMZ video should serve as a reminder that the long-term development of the 76ers might be enhanced if a chaperone or two were around to help the youngsters deal with getting their heads beat in.

Boston police say no investigation planned into Jahlil Okafor fight


BOSTON (AP) — Boston police say they do not plan to investigate an apparent nightclub scuffle involving Philadelphia 76ers center Jahlil Okafor unless someone involved comes forward to say they were the victim of a crime.

Officer James Kenneally said Friday that police responded to reports of a fight outside the nightclub hours after the winless Sixers lost to the Boston Celtics on Wednesday night. But Kenneally says the participants were gone by the time officers arrived and nobody was arrested or charged.

TMZ posted cellphone video of the altercation on Thursday, showing Okafor yelling and later shoving a man. The website reports that the confrontation started when someone taunted the 76ers. Philadelphia has 16 losses and is the only team in the NBA without a win.

An agent for the No. 3 pick in the 2015 draft did not immediately return a message Friday seeking comment. The 76ers declined comment.

Philadelphia plays at Houston on Friday night.

Jason Kidd suspended one game for slapping ball away from ref


Mike Budenholzer – to the dismay of someavoided suspension for making contact with a referee.

Jason Kidd sure wasn’t.


NBA release:

Milwaukee Bucks head coach Jason Kidd has been suspended one game without pay for aggressively pursuing and confronting a game official, slapping the ball out of his hands, and not leaving the court in a timely manner upon his ejection, it was announced today by Kiki VanDeWeghe, Executive Vice President, Basketball Operations.

The incident, for which Kidd was assessed a technical foul and ejected, occurred with 1:49 remaining in the fourth quarter of Milwaukee’s 129-118 loss to the Sacramento Kings on Wednesday, Nov. 25 at BMO Harris Bradley Center.

Kidd will serve his suspension tonight when the Bucks play the Orlando Magic at Amway Center.

One game is a standard suspension for bumping an official, and it’s probably what Kidd deserved (what Budenholzer deserved, too, for what it’s worth).

But slapping the ball from a ref’s hands looks so much worse than a standard bump. Kidd should feel fortunate the NBA suspended him on the merit of the action rather than perception of it.

Steve Kerr: Luke Walton not being credited with W-L record ‘the dumbest thing I’ve ever heard’

Luke Walton

The Warriors have surged to a 16-0 start with interim coach Luke Walton, as Steve Kerr is out after a bad reaction to his offseason back surgery.

Walton’s coaching record: 0-0.

Per NBA policy, the 16 wins are credited to Kerr.

Ethan Sherwood Strauss of ESPN:

Kerr and Walton are engaged in a brutal war of deferential humility. To hear Walton tell it, he’s just a functionary, carrying out Kerr’s well-laid plans. To hear Kerr tell it, Walton deserves all the credit.

“I think it’s ridiculous,” Kerr told ESPN.com when asked about getting all of Walton’s wins. “I’m sitting in the locker room and watching the games on TV, and I’m not even traveling to most of the road games. Luke’s doing all the work with the rest of the staff. Luke is 15-0 right now. I’m not. So it’s the dumbest thing I’ve ever heard, to be honest with you. I don’t even understand it.”

Walton expresses no angst over being winless, saying of Kerr, “Steve’s done a lot for me. It’s the least I can do to add a couple wins on his total for him with all he’s done for me.”

This is purely an academic argument. It doesn’t really matter which coach gets the wins.

But we care about records in sports, so it is important to get this right. Personally, I think Walton should get credit. He’s the head coach for these games.

The biggest counterargument is that Kerr is still involved, which is true. But he’s involved on a level more in line with an assistant. Several people are involved in a team’s coaching for every game. Only the head coach gets the win or loss on his record.

The Warriors have designated Walton their head coach. He should get the wins.

The biggest hindrance in changing the policy is probably retroactively altering other coaches’ records. Specifically, Don Nelson is the all-time wins leader with just three more than Lenny Wilkins. But the Mavericks went 10-4 in 2004-05 while coached by Avery Johnson as Nelson attended to health issues, both his own and his wife’s. Nelson stepped down for good later in the season, and Johnson’s 16-2 finish goes to Johnson. But Johnson’s first 14 games as acting head coach are credited to Nelson. Does the NBA want to revoke Nelson’s wins record over this?

So, this issue is bigger than the Warriors.

For them, the key facts much simpler. An undefeated team has two people fighting to credit the other for its success.

Whomever officially gets the wins, this is a healthy organization.