The Inbounds: Rajon Rondo and a game of art not science

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Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.

……………

B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

Kevin Durant gets into Twitter debate with reporter over White House comments

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Kevin Durant became the latest Warrior — joining Stephen Curry, Andre Iguodala, and Shaun Livingston, that we know of — to say he would not visit President Donald Trump’s White House as NBA champion. Which is all kind of moot because it’s unlikely the White House invites them and outspoken Trump critic/Warriors coach Steve Kerr and his players any way. (The White House’s biggest concern should be that Kerr accepts the invitation and uses that platform to challenge the president’s policies and style in front of him.)

Durant’s comments led to plenty of talk on sports talk radio and around the sports world online about whether a player or team should decline an invitation from the president. It’s not a new debate, Tom Brady denied that politics is why he didn’t visit Barack Obama’s White House (although I’m not sure many believed him), but KD’s on a big stage now so it became a talking point.

Former ESPN reporter Britt McHenry questioned a player not visiting the White House, and Durant responded, leading to a little Twitter back-and-forth.

Durant had previously Tweeted in response “by doing the opposite, I am inspiring more people” but that Tweet was deleted.

There is no one correct way to protest a person/policy/action, McHenry may see things differently, but Durant has chosen to stay away. That’s valid — traditionally these “champions to the White House” things are tedious photo ops with a few bad jokes thrown in. Having a hoops fan/player in Obama in the White House made the NBA visits more entertaining the past eight years, there was some trash talk, but still, they are largely just a public relations moment. If KD doesn’t want to play the PR game with Trump, that’s a legitimate response.

This has all been a tempest in a teapot. Until/unless the White House actually invites the Warriors to come, it’s all kind of moot.

Dwight Howard on Hornets’ coach Clifford: “It’s a great feeling when somebody believes in you”

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Dwight Howard‘s game is much better than his reputation among fans.

He’s not the Defensive Player of the Year/All-NBA/MVP candidate level player he was back in Orlando, but Howard is still one of the best rebounders in the game, he’s strong defensively, and he’s an efficient scorer inside. He’s a quality center, if he plays within himself and is used well. His perception as a guy who does not take the game seriously and held back Houston and Atlanta in recent years has validity (he plays better in pick-and-roll than on the move, but wants the ball in the post), but the idea he is trash is flat-out wrong. He’s still good.

Howard wants to change his reputation, rewrite the final chapters of his career, and told Adrian Wojnarowski of ESPN that Steve Clifford’s Charlotte Hornets are the place that is going to happen.

“The other places I was, the coaches didn’t really know who I am,” Howard told ESPN. “I think that they had perception of me and ran with it. Cliff knows my game. He knows all the things that I can do. I’m very determined to get back to the top. It’s a great feeling when somebody believes in you. They aren’t just saying it; they believe it. It really just pushed me to the limit in workouts: running, training, everything. I want to do more.

“In Orlando, I was getting 13-15 shots a game. Last season, in Atlanta, it was six shot attempts. It looks like I’m not involved in the game. And if I miss a shot, it sticks out because I am not getting very many of them. But I think it’s all opportunity, the system. I haven’t had a system where I can be who I am since I was in Orlando.”

Howard averaged 8.3 field goal attempts per game in Atlanta, which is about five a game below his peak. Last season 75 percent of Howard’s shots came within three feet of the rim — is is not there to space the floor, however, he can still move fairly well off the roll and is a good passer for a big.

Last season, 28 percent of Howard’s possessions came on post ups, and he averaged a pedestrian 0.84 points per possession on those. On the 21 percent of shots he got on a cut, he averaged a very good 1.36 PPP. When he got the ball back as a roll man (again on the move), it was 1.18 PPP. The challenge long has been Howard is better on the move but doesn’t feel involved unless he gets post touches, and if he doesn’t feel involved and engaged he’s not the same player.

Maybe Clifford can make this all work with some older plays where Howard feels comfortable.

Charlotte, with Howard in the paint and on the boards, should get back to being a top 10 NBA defensive team, not the middle of the pack as they were last season. Clifford is better than that as a coach, and Howard is an upgrade in the paint (on both ends). Charlotte should be a playoff team again in the East.

But it all will come back to Howard. Fair or not. And Wojnarowski is right, this is Howard’s last best chance to write the ending he wants to his career.

Friday afternoon fun: Watch James Harden’s 10 best plays from last season

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James Harden had a historic season in Houston.

Since it’s Friday afternoon and your sports viewing options consist of watching guys about to be cut from NFL rosters try to impress, why not check out Harden’s best plays from last season. It’s worth a couple minutes of your time.

Mavericks sign Jeff Withey to one-year contract

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Jeff Withey‘s ex-fiancée accused him of domestic violence, but he was not charged.

That frees him to continue his basketball career, which he’ll do in Dallas.

Shams Charania of Yahoo Sports:

The Mavericks could use another center, even if they re-sign Nerlens Noel. Salah Mejri is the only other true center, though Dirk Nowitzki will now play the position.

Withey is a good rim protector. Just don’t ask him to do anything away from the basket.

Dallas annually brings excess players to training camp and has them compete for regular-season roster spots. Whether or not his salary is guaranteed, Withey will likely fall into that competition.