The Inbounds: Rajon Rondo and a game of art not science

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Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.

……………

B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

Draymond Green’s civil suit accuser speaks, Green’s attorney issues statement

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The civil suit against Draymond Green starts off this way: “Draymond Green is a bully.”

As we noted was coming, on Tuesday former Michigan State University football player Jermaine Edmondson and his girlfriend Bianca Williams filed a lawsuit against Green stemming from an incident a year ago in East Lansing, Mich., bar. Green was back in the town of his alma mater and ran into Edmondson at a bar, and some kind of altercation followed.

Green allegedly slapped him during this, although the plaintiffs say the men with Green shoved first Edmondson against a wall, then when Williams came over to intervene another man did the same to her, putting his hand around his throat. Green was arrested, but the prosecutors didn’t see it the same way and Green’s charges were reduced to a noise violation, where Green had to pay a $500 fine and $60 restitution fee. Because it was a civil infraction, there is no “guilty” or “not guilty” plea entered.

Here is Edmondson speaking.

Green’s attorney Katherine Grubaugh, issued the following statement:

“This lawsuit relates to an incident that occurred in East Lansing, Michigan over a year ago, for which Draymond paid a noise violation fine. Draymond looks forward to defending himself and clearing up the misinformation put forth today.”

As I said previously, I’m not about to speculate about the motives for the suit or what actually happened in the bar that night. I don’t know those things. What I do know, as someone who spent years as a young reporter covering courts and police, it is challenging for the plaintiff to prove their case and get paid in these kinds of lawsuits (if this actually gets to trial). While in a civil case the standard to reach drops to “a preponderance of the evidence,” the plaintiff has to prove damages. That is not easy, especially in a disputed bar fight (where the clarity of memory of any witness can be called into question) a year later.

Report: Suns inform Josh Jackson he will not be part of any Kyrie Irving trade

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The Cleveland Cavaliers want an elite young player back in any trade of Kyrie Irving.

The Phoenix Suns have come up as a trade partner, because of Eric Bledsoe‘s salary, fit with Cleveland if Irving is gone, and the fact he and LeBron James share an agent.

And those suns have an elite young player — Josh Jackson. Taken fourth in the last draft, Jackson showed fantastic athleticism at Summer League, disruptive defense, the ability to make plays around the rim, and while his jumper needs some work there is genuine promise.

Which is why the Suns are not going to include Jackson in any Irving trade.

If the Suns are involved in an Irving trade, it’s likely as part of a three-team deal. Bledsoe would still go out, and Phoenix might be willing to throw in young players such as Marquese Chriss or Dragan Bender, depending on what they got back.

That is the key — the return. Phoenix is rebuilding, Bledsoe is their best trade chip, and if he is going out the door, they are going to want real quality back in return. They are not in this to be a salary dump location, the Suns are going to want young players who can make a difference and picks. Most of the trade scenarios floating around in public forums use Phoenix as the dumping ground in the three- or four-team deals, just know that is not going to happen. The Suns want value for their best trade asset.

Rumor: Are these the new Cleveland Cavaliers Nike uniforms? (PHOTOS)

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Nike will be taking over the NBA uniforms for the 2017-18 season, and now it looks like we have some leaked photos of the Cleveland Cavaliers’ new look.

A photo posted to Twitter on Tuesday showed a mannequin dressed in what appears to be Cleveland’s new wine-colored uniforms.

Nike released some information about their new uniforms recently, including the naming conventions which will be associated with certain editions of team uniforms. Those editions are called The Association, The Icon, The Athlete’s Mindset, and The Community.

The wine edition of the Cleveland uniform would fall under the category of the Icon.

Via Twitter:

Those certainly seem to go along with some of the uniforms that were released during Nikes original release. It’s also hard understand why someone would have a full dress mock up on a mannequin with the Nike logo on it, especially as it is so close to what we have seen from Nike.

Conrad over at Sports Logos has been kind enough to mock up what the Cavaliers uniforms should look like for both the icon and association additions.

Via Sports Logos:

What do you think? I am liking them so far.

Mike Muscala signs 2-year, $10 million deal to remain with Hawks

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ATLANTA (AP) The Atlanta Hawks have re-signed power forward Mike Muscala to a two-year, $10 million deal.

The 6-foot-11 Muscala, who was an unrestricted free agent, could play a bigger role as he returns for his fifth season following the departures of Paul Millsap and Dwight Howard.

Muscala set career highs by averaging 6.2 points and 3.4 rebounds in 70 games, including three starts, last season. He scored in double figures in 20 games and ranked second on the team by making 50.4 percent of his shots from the field.

The team announced the signing Tuesday.

More AP NBA: https://www.apnews.com/tag/NBAbasketball