The Inbounds: Rajon Rondo and a game of art not science


Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.


B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

NBA fines Rockets’ Gerald Green, Celtics’ Marcus Morris

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Rockets star Chris Paul preemptively volunteered to pay Gerald Green‘s fine for shoving Gorgui Dieng, who had just pushed over Paul.

Of course, the NBA gave Paul something to follow through on.

The league also fined Celtics forward Marcus Morris.

NBA releases:

Houston Rockets guard/forward Gerald Green has been fined $25,000 for shoving Minnesota Timberwolves center Gorgui Dieng, it was announced today by Kiki VanDeWeghe, Executive Vice President, Basketball Operations.

The incident took place with 10:13 remaining in the Rockets’ 129-120 win over the Minnesota Timberwolves on March 18

Boston Celtics forward Marcus Morris has been fined $15,000 for verbal abuse of a game official, it was announced today by Kiki VanDeWeghe, Executive Vice President, Basketball Operations.

The incident occurred at the conclusion of the Celtics’ 108-89 loss to the New Orleans Pelicans on Sunday, March 18

I couldn’t spot Morris’ incident on video, but Green definitely earned his fine. Fortunately for him, he was just supporting a teammate who understand how to value role players.

Iggy Azalea details burning Nick Young’s clothes (video)


Nick Young and rapper Iggy Azalea had a very public relationship then a very public breakup.

D'Angelo Russell, then Young’s Lakers teammate, recorded and published a video of Young discussing being with other women. Young also impregnated his ex-girlfriend and then got caught cheating by Azalea on home-security cameras.

Her response?

Azalea on Watch What Happens Live with Andy Cohen:

I burnt it all.

I burnt a lot, and I threw stuff in the pool, too. I started off with water, and it just seemed like that didn’t work.

Every designer you can think of, I burned.

I was like, I’m going to find something you care about, and I’m going to start destroying that, which was his clothes. And we had a fire pit outside, a nice fire pit that you can put on with the gas.

I text him a video and I was like, “Hey, I’m burning your s—. I’m starting with the cheap s—.”

“I’m burning your things. And so, I don’t know where you’re at, probably with some girl. So, I hope you get home quickly, because I’m moving on. We’re progressing on the spectrum of cheap to expensive.”

But I will say expensive doesn’t burn. Expensive things do not burn well. All the Forever 21, [sound of going up in flames].

Young, now with the Warriors, is still reaping what he sowed.

Jeff Hornacek says he wants to know future with Knicks, doesn’t

AP Photo/Mary Altaffer

A couple months ago, Knicks coach Jeff Hornacek said he believed he had the backing of president Steve Mills and general manager Scott Perry.

Now, Hornacek isn’t being quite so presumptuous.

Hornacek, via Stefan Bondy of the New York Daily News:

“At the end of the season I’m sure we’ll sit down with (president Steve Mills and GM Scott Perry) and figure out what we’re doing,” said Hornacek, whose two-season coaching record with the Knicks fell to 55-96 following Thursday’s loss to the Sixers. “As a coach you’d like to know if you’re going to be here next year. But our job right now is take the guys that we have on this team and try to get them better.”

Hornacek then acknowledged that the conversation with the front office about his future has not yet happened.

The Suns fired two of Hornacek’s assistants in 2015 then fired Hornacek about a month later. He knows what the writing on the wall looks like.

And there’s plenty of writing on the wall in New York, even if the Knicks aren’t firing shots across Hornacek’s bow quite so aggressively.

The since-ousted Phil Jackson hired Hornacek. Most executives in Mills’ position want to hire their own coach.

Notice how hard Hornacek is trying to frame this Knicks season as about player development, not their record (which, incidentally, is the correct way to view it). But here’s betting Mills uses Hornacek’s dismal record as cover to fire him.

That isn’t exactly fair to Hornacek, but he’s also the one who started Jarrett Jack at point guard most of the season. Hornacek tried to win with a flawed roster and didn’t. Hornacek’s player-development credentials are hardly impeccable, either. Coaches in his position usually take the fall.

There’s still a chance the end-of-season conversation leads to the Knicks keeping Hornacek. But, at this point, that’d be surprising.

Likely lottery pick Trae Young leaving Oklahoma for NBA draft

AP Photo/Keith Srakocic

LeBron James said Trae Young better go pro.

The freshman Oklahoma point guard listened.

Young, as told to Adrian Wojnarowski of ESPN:

I’ve been preparing most of my life to join the NBA, and that time has come for me now: After an unforgettable year at the University of Oklahoma, I will enter the June NBA draft and fully immerse myself in the pursuit of a pro basketball career.

Young is one of the NBA draft’s most polarizing prospects. He should still go in the lottery, but where will likely depend on the order of teams.

His fans see him as the next Stephen Curry, and Young has certainly shown flashes. He handled a huge load of the Sooners’ offense, because he was comfortable pulling up for deep 3-pointers and passing out of the pick-and-roll.

But he can be too sloppy with the ball, and NBA defenses will take away some of the simpler passes he made with great consistency at Oklahoma.

There’s also concern about his diminutive 6-foot-2 frame, especially defensively. If Young isn’t a lights-out shooter, that deficiency becomes a much bigger concern.

Young made 41% of his 3-pointers through December then just 33% this calendar year. His overall percentage – 36% – is still strong, especially coupled with an 86% mark on free throws. But he’s not the sure thing from outside he appeared to be when perception took hold.

Young’s reputation is probably ahead of his ability. But that can be true right now, and the 19-year-old could still have an NBA career worthy of a very high pick.