The Inbounds: Rajon Rondo and a game of art not science

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Over Labor Day, I had an opportunity to share a beach house with both a scientist and an artist. (Don’t get jealous, we were pretty much living off our friends’ generosity, it’s not like I’m skipping off to the Hamptons every other weekend.) A social situation involving people on opposite ends of the conceptual spectrum, particularly in their late 20’s when ways of life and outlooks have cemented somewhat can bring some borderline fascinating observations on the conversations and how they develop. The rest of the group was evenly split between leaning more towards the analytically-inclined (an engineer and a financial services rep) and the less-so (an English grad student). So it provided a nice background. The differential between how the two approached things wasn’t striking, it was subtle and textured. Both also very much had a strong crossover to the other’s side of the world. But at their core, one was a scientist, one was an artist, briefly living in each other’s shared universe.

It made me think of Rajon Rondo.

Ethan Sherwood Strauss interviewed Rondo for Bleacher Report as he continued his Red Bull promotional tour last week. In the interview, Strauss asked a series of insightful questions trying to get to the core of how Rondo looks at the way he plays. (Actual basketball questions in a player interview! “The horror,” cried most media.) Rondo answered the way an artist answers a question about the science of their approach. It’s not that there’s not a science to it, it’s that the approach is using science to create art, not the other way around. Two particularly notable sections of an interview I beg you to read:

B/R: Do you ever wonder why more guys in the NBA don’t do what you do with the ball fakes?

RR: I don’t know (laughs). I have no idea. I don’t want them to pick up on it, ya know? I like having a unique game and doing my own thing.

B/R: When did you come up with the ball-fake strategy, because, guys throw ball fakes when they’re on the move, but you do it when you’re planted. Is that just something that came instinctively?

RR: I just came with it. It’s actually funny. A lot of my moves, it just comes out. I don’t really predetermine or practice.

……………

B/R: Did you do that because, when you were growing up, fundamental-minded coaches didn’t like some of the cool, different things you were doing, and you wanted to do it differently?

RR: I just want to give them something different. I don’t want to come out here and give a boring camp. I want to give them something that they actually see me do out on the court. I don’t want to teach them a regular bounce-pass. I want to show them why I throw the behind-the-back pass to Kevin on the pick-and-roll, why I do my shot fake.

B/R: You do throw that behind-the-back on the pick-and-pop a lot of the time to Kevin Garnett. What’s your favorite kind of pass to throw? Is is that one? 

RR: Oh, I like throwing a cross-court one-hand bounce-pass between the defense to P (Paul Pierce). I’ll throw a little English on the ball, throw it between two, three guys that are trying to run extremely hard to the paint. Then you got Paul Pierce trailing for the three—and obviously I’m pleased when he makes it.

via Rajon Rondo Dishes on His Current and Future Status with the Boston Celtics | Bleacher Report.

The answers aren’t particularly shocking. A lot of players like to talk about basketball, but from the outside, you can press too deep, and then they’re like “I’m not overthinking it, I just do it.” It’s basketball, not advanced chemistry. The game is complex, but the actions are instinctive a lot of the time. It’s part of what makes the game so perfect from a conceptual and execution standpoint. The games that reach true popularity are those that have the right balance of entertaining features and no discernible holes for exploitation. The major sports are the models of this. But Rondo’s statement above “I don’t really predetermine or practice” speaks really to who he is and how we consider him.

Chris Paul is considered the Point God for a number of reasons, chief among them the simple superiority of his execution. His floater is in perfect form. He routinely flirts with a 50-40-90 line from the field. His passes are on target nearly 80% of the time, and by that I don’t mean they reach their target, I mean that he lands it in the hand he wants, at the height he wants, at the velocity. If you want to teach a player how to execute the pick and roll or pop, cue up Paul’s execution, which is consistent to a stunning degree, steady like a freight train, sharp like a razor.

But Rondo’s inherently different. It’s not that he’s not consistent. Lord knows he’s run that pick and pop with Garnett the same way so many times the process should be permanently embedded in Spencer Hawes’ brain like in “The Manchurian Candidate” (and yet Hawes will still watch as Garnett nails that 18-footer). He has a series of plays that he runs the same way. But that’s not why we’re wowed by him. Those that come down as pro-Rondo marvel at his instinctive ability in his creativity. Artists don’t wake up one day, say “I will become an artist, now,” and then go learn to draw. Not often, anyway. It starts with drawing with crayons or markers as a kid, with filling notebooks, constantly messing with clay, spending hours on graphic design programs. It fills the brain the way numbers fill the minds of statisticians or biblical passages ruminate in the minds of the devout. It’s just there, it’s the way they process. And the same with Rondo.

It doesn’t come from plotting, from a blueprint, it comes in spontaneous moments, in the instantaneous creation of a play. Observe:

Rondo could likely play in the clinical manner of a lot of point guards. He wouldn’t be as good as Paul, he’d just be a standard, good, blue-collar point guard. I have no way of knowing, but it’s an impression I get that the biggest reason Rondo plays the way he does is that he would get bored otherwise. Read that second quote section. “I just want to give them something different.” Rondo is consistently criticized for his attitude, and there’s every indication he’s driven Doc Rivers absolutely guano over the past five years. He’s temperamental. This is pretty in-check with most of the artists I know. That bit of artistry is all that keeps the world from becoming mundane.

Rondo’s driven by creating plays which fall outside of the ordinary. It’s those plays that make him remarkable, that separate him. And just as it is with most artists, when he’s in a creative groove, the results can be stunning not only in their quality, but volume. His absurd triple-doubles with 20-assists remind me of stories of how Ryan Adams will go into studious and pump out dozens of songs in a session, all stockpiled in his brain.

Rondo’s an avid rollerskater. Think about the actions and way that you do that. It’s about freedom, and spontaneity of movement. Spins, twists, twirls, jumps. The objective is mobile grace. The ball-fakes he uses are sometimes wholly unnecessary. They’re not fooling anyone. It’s just a mechanism. But when it works out perfectly, he fools the defense completely and it’s one of the most unique plays you’ll see, sweeping left to right, whipping the ball from one angle to the polar opposite, and sliding in the layup.

Maybe that’s what’s at the core of the debate over Rondo. Superiority in execution is dependent on precision, consistency, and effort. Rondo’s investment in all three of those principles waxes and wanes as the game goes on, the same way an artist’s involvement in his work can be subject to emotional twists and turns. Much of basketball is geometry. Rondo is constantly working to get bend geometry, trying to do things which aren’t just unnatural in the course of a game, but seem to run almost counter to the principles which decide success.

If you’re not into art, or at least not in basketball, Rondo’s going to seem sloppy, a pain, too inconsistent. But if you can appreciate the attempts to make the game more than a game, even if he’s not consciously aware of that attempt (and Rondo’s mostly just playing basketball and getting paid here, let’s be honest), then he means something wholly different. Creativity can be a liability, but if you consider the endeavor inherently worthwhile, then Rondo’s the point guard for you.

Artists and creative types abhor labels and boundaries. They instinctively act to get past those limitations into a creative and mental freedom. It may not be intentional, but you can see a lot of the same thing in the play of Rajon Rondo.

Russell Westbrook threw it down all over Michael Kidd-Gilchrist

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A rough night for the Thunder will not stop the Russell Westbrook highlights.

The Thunder had another poor game and fell to a Hornets. Westbrook tried to push the team back, but the Thunder defense that has kept them in games all season was not good enough against Charlotte, and the OKC offense was once again up and down.

Westbrook had 30 points on 22 shots on the night, and none of them were as impressive as this transition throwdown on Michael Kidd-Gilchrist.

Jahlil Okafor excited about fresh start with Nets

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NEW YORK (AP) — Jahlil Okafor finally got the fresh start he wanted.

Okafor was the consensus No. 1 high school player in his class, won a national championship at Duke, and averaged 17.5 points and seven rebounds in his rookie campaign for the Philadelphia 76ers.

Then things changed drastically.

Okafor struggled with injuries and a logjam at his position in his second season.

“When I first got drafted there, we already had Nerlens (Noel) there, Joel (Embiid) was there, so we’re trying to have three starting centers on the same team,” Okafor said Monday at his introductory news conference with his new team, the Brooklyn Nets.

“It just never really was the right fit.”

The 76ers traded Okafor along with seldom-used guard Nik Stauskas and two draft picks to the Nets on Thursday. Philadelphia got forward Trevor Booker from Brooklyn.

Okafor also had off-court problems during his time in Philadelphia. He got a speeding ticket for driving 108 miles per hour and was suspended by the 76ers for two games after in an altercation outside of a Boston nightclub with a heckler.

“Speeding obviously is illegal,” Okafor said. “I know that’s not what you’re supposed to do. I guess you just learn how the page can turn on you and how everything can flip. I can’t really say I learned anything, because you know going in that’s not right. You just learn from your mistakes, but (it was) a tough thing that I went through, I got past, and I’m looking to better times now.”

Okafor, the third overall pick in the 2015 draft, joins D'Angelo Russell, the second overall pick in the same draft class, on the Nets.

“We’re just very excited to get on the court together,” Okafor said. “You never would’ve thought the number two and number three picks would be playing on the same team a few years after, but like I said, everything happens for a reason and I’m really excited.”

Russell also had problems on and off the court with the team that drafted him. He was criticized for recording a video of former Lakers teammate Nick Young that aired sordid details about Young’s private life. The Lakers gave up on Russell and drafted Lonzo Ball as his replacement.

“I feel like we’re similar in that we have a lot to prove,” Okafor said. “I know he’s working his (butt) off as well. Right now he’s rehabbing, trying to get back on the court. I think we both have a chip on our shoulder and we have a lot to prove. We’re definitely similar in that regard.”

Okafor understands he has areas to improve, mainly defense and rebounding.

“I’m not a perfect player,” Okafor said. “I’m 21. There are things that I need to work on, that I have worked on and that I’ll continue to work on.”

He’s excited about fulfilling his potential with a new team.

“I feel really motivated right now, but I’ve always been motivated,” Okafor said. “This is the first time where people are against me in a sense because I’ve always been the hyped-up guy. It’s something new for me to experience, so I’m glad that I am experiencing it.”

 

Report: Celtics’ Marcus Morris to miss “extended time” to let knee heal

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Marcus Morris missed the Celtics’ first eight games of the season in an effort to get healthy. Upon his return he’s been solid, first as a starter, then coming off the bench, but his left knee continued to be an issue.

Morris was out Sunday when the Celtics beat the Pistons, and he’s going to miss more time trying to get a troublesome left knee right, reports Shams Charania of The Vertical at Yahoo Sports.

How much time is “extended time?” Probably at least a couple of weeks.

Morris has averaged 12.1 points and 5.5 rebounds a game this season, with a true shooting percentage of 52.5, which is right around the league average.

This could mean more run for rookie forwards Semi Ojeleye and Daniel Theis, both of whom have played well in limited minutes.

Tristan Thompson expected to return to Cavaliers Tuesday, come off bench

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INDEPENDENCE, Ohio (AP) — Cleveland Cavaliers center Tristan Thompson could play for the first time since Nov. 1 on Tuesday against Atlanta.

Thompson has been sidelined with a strained left calf. The team initially said Thompson would be out for up to four weeks, but he said Monday that timeline was inaccurate and that his injury was more serious. Thompson did not divulge any other details about the injury.

Coach Tyronn Lue says Thompson will not start when he returns, meaning Kevin Love will remain at center. Thompson says he’s fine with a reserve role and made it clear he’s willing to do whatever Lue needs.

The Cavaliers have won 14 of 15 and their defense has improved dramatically over the past month.

Thompson says he’ll have the same mindset on the floor as always and “just be myself. Being myself has worked out pretty well for me.”