Anthony of the U.S. smiles from the bench during his game against Nigeria at their men's preliminary round Group A basketball match at the Basketball Arena during the London 2012 Olympic Games

The Inbounds: Saint Anthony and America’s war on isolation


Welcome to The Inbounds, touching on a big idea of the day. It could be news, it could be history, it could be a tangent, it could be love. OK, it’s probably not love. Enjoy. Today, a bonus segment.

So Carmelo Anthony scored 37 points in an Olympic basketball game Thursday, and based on probability, you reacted in one of four ways ways as a God-fearing NBA fan.

1. You were excited and thrilled that Anthony put on such an amazing performance for your country and in awe of his ability to put the ball in the basketball with that kind of frequency.

2. You noted how despite the amount of criticism Anthony withstands and his relative stature in the NBA superstar tapestry that he’s still truly one of the best players in the world and you cannot understand why people forget that so often.

3. You are left in polite admiration but simultaneous outrage that he doesn’t play that way all the time.

4. Some combination of the two depending on if you’re a Knicks, Celtics, Heat fan or none of the above.

It’s a terrific wormhole to go down. Melo was able to do what he did because he was facing Nigeria. Anthony only put himself in that position because he’s surrounded by that much talent. It takes that kind of talent to put his ego in a place where he can play catch-and-shoot. Melo just had a hot night (that’s an understatement). What he did wasn’t all that different from what he does with the Knicks. You can literally interpret Anthony’s performance in the 156-73 win in group play however you would like. You have to say he played well and that you were impressed. From there, you can go any route you want.

But it’s the structure of how Anthony scored that intrigues. Catch-and-shoot. It makes sense, right? You have one of the world’s best shooters, an elite scorer, with a significant size advantage over his defender. Why on Earth would you not use him as a catch-and-shoot player when you have LeBron James and Chris Paul throwing the ball to him after collapsing the defense each time? On the Knicks, he’ll never have the luxury of anyone else drawing that kind of attention. So comparing his exploits with Team USA to anything he does with the Knicks is futile.

Except, it’s not. Not really.

Part of what has made the Knicks’ approach so confusing is that they’ve essentially gone against the overriding principle in so many superstar teams’ design. Take Boston, for example. Paul Pierce no longer has to run point, dribbling at the timeline, directing traffic before trying to slice past four guys. Ray Allen isn’t jab-stepping defenders back so he can rise and fire over them. Kevin Garnett isn’t running point forward. In Miami, Chris Bosh is an outlet scorer and offensive rebound tip-in machine. That’s his job. In L.A., Pau Gasol’s not having the ball go through him every time (though that one can be argued is a bad thing). The point is that one of the luxuries of having multiple superstars it the ability to put an elite player in a role player’s position and watch him destroy because he’s so much better at that singular talent than the average replacement player.

And for Anthony, his VORP as a spot-up shooter is through the roof.

But of course, the Knicks not only can’t use him that way, but they eliminated any situation where he could be.

When Anthony returned after Linsanity (yep, we’re back to him again), there was a possibility for this all to work out. Anthony needed to adopt the role of a superior, obscenely-rich-man’s Shawn Marion in Mike D’Antoni’s Suns. By being the outlet shooter off the drive and kick on the baseline, by being the weakside off-ball cutter, but being the spot-up guy in transition, Anthony could not only keep but raise his scoring production while not having to run isolation sets every single time. With Amar’e Stoudemire running the pick and roll or Chandler doing the same, there would be lanes and opportunities. Instead, be it Melo’s preference or D’Antoni’s design, Anthony wound up drifting on the perimeter. He wasn’t just a spot-up shooter, he was scenery.

That dream of him working in an offensive set to move, catch, and score, is dead, replaced by the dystopian Woodson Isolation nightmare that awaits Knicks fans next year. But Team USA provides an alternative, not just for Anthony, but for Kobe Bryant, for LeBron James, for Kevin Durant, for Russell Westbrook. The shame is that the quality of the surrounding talent convinces them that the only reason this works is because they’re surrounded by that much talent. They can’t comprehend the same style working for them within the constructs of their teams. Whether that’s overconfidence in their abilities or a lack of confidence in the ability of others is inconsequential. The fact remains that these players will embrace roles where they do role player functions with superstar ability, and dominate the greatest players in the world. And instead of drawing on that experience and trying to replicate it, they will instead abandon it for some sort of 82-game “Quick and the Dead” impression where they duel one on one with everything like this is Teen Wolf.

For a day, for these few weeks, really, Anthony’s a saint. He’s a basketball icon teaching the world about how to play for it. Wait for your open shot, be ready, move without the ball, catch, rise, fire. And Team USA is showing one another and the world that there’s a better way than getting the ball at the perimeter, dribbling for fifteen seconds, and then hoisting up a jumper.

In twelve weeks, they’ll return to doing the same things, but for now, they play, maybe not the right way, but the best way, and they work hard to make things easy for one another. What’s amazing isn’t that someone as talented as Anthony did what he did on Thursday. It’s that Anthony and the rest of Team USA will forget the lesson learned by the star players who played as role players and made things easy for themselves.

You can be all things among your friends, but in the end, you cannot get away from who you are, for better or worse. It’s neither good nor bad. It simply is.

Patrick Patterson begs: “Please don’t make Space Jam 2”

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LeBron James‘ production company signed a development deal with Warner Bros. That would be the same Warner Bros. which extended its trademark on “Space Jam” recently. Rumors of LeBron starring in Space Jam 2 have been swirling for years. If they do it, Blake Griffin wants in.

Patrick Patterson wants the entire thing to stop.

Writing at The Players’ Tribune, the Raptors forward begs for there not to be a sequel to the Michael Jordan original.

I’m a huge movie fan. Movies are a big part of my life. This summer I even had the opportunity to help cover the Toronto International Film Festival for the CBC. So please know that I don’t say this lightly: The original Space Jam is the perfect movie. The. Perfect. Movie. It is a cinematic experience.

And that’s why, for the sake of preserving its greatness, we must never try to improve upon it.

To make a sequel to Space Jam would be like trying to paint the Mona Lisa again. Sure, you can probably do it, but why the hell would you want to?

First off, not sure the realism of Renaissance art is the best comparison for Space Jam. It was more cubist Picasso at best.

But I appreciate what Patterson is saying. If someone decided to remake “Godfather II” I’d march in protest. If they decided to remake “Network” I’d… actually, that’s pretty much what the news looks like now.

Patterson’s love of Space Jam exceeds mine (he calls Bill Murray the glue guy of the film), and I respect that. But this sequel is happening, and even Patterson knows why — money. A lot of people are going to make a lot of money on this movie, even if it gets a 28% at Rotten Tomatoes.  Warner Bros. is not in the business of making good movies, it’s in the business of making money through movies, and franchises go a long way down that road for studios.

Let’s just hope the take the time to get a decent script together for this. Nobody wants another Godfather III on our hands.

Atlanta Hawks waive Jarrett Jack

MIAMI, FL - DECEMBER 28: Jarrett Jack #2 of the Brooklyn Nets dribbles during a game against the Miami Heat at American Airlines Arena on December 28, 2015 in Miami, Florida. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and/or using this photograph, user is consenting to the terms and conditions of the Getty Images License Agreement. Mandatory copyright notice:  (Photo by Mike Ehrmann/Getty Images)
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Last summer, the Atlanta Hawks signed Jarrett Jack to provide a veteran backup for Dennis Schroder.

But Jack has not recovered from the major knee injury that ended his season after 32 games. He hadn’t played with the Hawks throughout the preseason.

Thursday, the Hawks waived Jack, the team announced. He had a guaranteed contract for the veteran minimum (just less than $1 million), and he will still get paid. The Hawks just wanted the roster space and didn’t see him returning soon enough to help them.

If he can get healthy and prove it, another team will likely grab him during the season (some team will suffer point guard injuries and be in the market). For now, he has a lot of rehab in his future.

Malcolm Delaney, the former Virginia Tech star who spent the last five seasons playing overseas, will not be the Hawks backup point.

Report: New CBA deal “within sight,” one-and-done rule remians

NEW YORK, NY - JUNE 23:  Commissioner Adam Silver concludes the first round of the 2016 NBA Draft at the Barclays Center on June 23, 2016 in the Brooklyn borough of New York City. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement.  (Photo by Mike Stobe/Getty Images)
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Nobody likes the NBA’s one-and-done rule. Adam Silver and the owners want to extend that to two seasons out of high school, and they have colleges in their corner (while a couple of coaches know how to work the one-and-done system, none of them prefer it). The players want to be able to make the leap from high school straight to the NBA — if you’re 18 and good enough to play, you should be allowed to play.

The result of that will be the compromise nobody loves will stay in place.

The league and NBA’s players union met again on Thursday, and the two sides got close to a deal, reports Adrian Wojnarowski of The Vertical at Yahoo Sports.

Also, the rookie and veteran minimum scale deals will increase, plus the “over 36 rule” (which prohibits a player from signing a five-year deal if he turns 36 during the deal, it can only be four years) will be changed to an “over 38 rule” according to Wojnarowski.

We knew before today was the revenue split between the owners and players would remain the roughly 50-50 split agreed to in the last CBA — and once the money is figured out everything else usually falls in line. The players are pushing or a fund to help retired players who need assistance with medical and other expenses, that seems to have traction with the league as well.

Adam Silver is meeting with the NBA owners the next couple of days and much of the discussion will certainly center around what is in the new Collective Bargaining Agreement. However, with all the money flooding the system with the new television deal — it wasn’t just the players getting an infusion of cash into salaries, the other half of the money went straight to the owners’ bottom lines — it’s expected a deal gets done. Nobody wants to kill the golden goose.

NBA to broadcast one game a week in virtual reality

NEW YORK, NY - OCTOBER 13:  Customers try the new PlayStation VR at Sony Square NYC on October 13, 2016 in New York City.  Sony launched its $399 PlayStation VR that links to PlayStation 4  to give gamers a virtual reality gaming experience.  (Photo by Justin Sullivan/Getty Images)
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If you’re already playing “Sonar” or “Feral Rites” or just “The Lab” in virtual reality, why not get a closeup look at Stephen Curry draining a deep three, or Rudy Gobert rejecting a shot at the rim. And I don’t mean in a video game.

The NBA is going to start broadcasting one game a week in virtual reality, the league announced Thursday. It has partnered with NextVR to broadcast at least one League Pass game a week in VR — the NBA is the first major professional league to do it (although NextVR did already do the U.S. Open tennis tournament, The Masters, and other big events).

If you have an NBA League Pass and a Samsung Gear VR headset (or compatible smartphone) you can pay to watch the games — but the first one is free. On Oct. 27 the Spurs visiting the Sacramento Kings fans can watch Kawhi Leonard shut down Ben McLemore in virtual reality for free.

From the NBA’s press release:

Fans with a Samsung Gear VR headset and a compatible Samsung smartphone can experience the free preview by accessing the NBA Channel within the NextVR app. Later this season, the offering will be expanded to support additional VR headset options.

The weekly games will be available as part of the NBA LEAGUE PASS full season package. Whether purchased through a third party distributor or directly through the NBA, fans will be able to authenticate their accounts by inputting their NBA LEAGUE PASS login credentials (obtained at or the NBA App) within NextVR’s app.

The VR broadcasts will be fully produced with dedicated announcers, multiple unmanned camera angles and optimized graphics. Game breaks will be filled with in-venue entertainment, behind-the-scenes footage from the arena and VR-specific commentary.

Sounds promising.

I’m not about to speculate on the popularity of this, but smart move by the NBA to get out in front of this and try it. You have to love that the NBA is adventurous and will push the market, the NFL probably won’t try this until 2036.