The blog post about comparing the NBA and the Oscars

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You may have heard there’s an award show tonight. The Oscars are always a fun glance into the politics and business of the film industry. And they’re also a fascinating parallel to the MVP race in the NBA.

Much like the golden statues, there are no guidelines drawn for the MVP voters. There’s no set definition for what determines the winner, and as a result, there are always questions as to what in God’s name the voters are thinking.  They suffer from the same pitfalls, most notably, hype over performance, subject over context, and of course, the body of work argument.

Often times, most notably in the Best Actor/Best Actress categories, the award will be granted based on the fact that someone has been an influential performer for years, yet never rewarded with the perfect combination of subject matter and performance. The result is a reward for a career’s worth of work, instead of the individual performance granted, or film produced.  Take your pick of which MVP you disagree with in regards to this. Kobe in 2008, LeBron in 20o9, Karl Malone, etc.

Steve Nash is the most vigorously debated MVP of the modern era. Nash was so overrated that the reaction of calling him such made him underrated. Okay, not really, because that sentence is stupid. But Nash wasn’t granted a lifetime achievement award. Instead, he’s more the recipient of the product of hype. Essentially, Nash was “Forrest Gump” to Kobe Bryant’s “Pulp Fiction.” “Forrest Gump” is a brilliant film, well-executed, with masterful performances and direction. But “Pulp Fiction” is an influential film which lasted longer, had a greater cultural impact and was, well, cooler. I think if you consider the elements in play, that it’s hard to argue it was a better film than “Forrest Gump” though. And I say that as someone who owns the complete Tarantino collection.

At least the Oscars provide multiple opportunities to reward a film or performance. You don’t look at Defensive Player of the Year in the same frame as MVP, and there is no offensive player of the year. Why, we’re not sure. Offense is just as important as defense, in that at least you can hold your opponent to 20 points and still lose if you score 19. Wouldn’t creating such a trifecta of awards lessen the vitriol spit towards good players? Furthermore, for the Oscars, it means something just to be nominated. Even with the Best Picture nominees expanded to ten, the films on this year’s list gain a different level of success by having been nominated. “Winter’s Bone” for example, has no shot, but it gets the film in front of more people to appreciate its work.

Instead, with the MVP award, we find ourselves tearing down candidates based on our preferences. If “The Social Network’ falls to “The King’s Speech” tonight, it won’t diminish its cultural impact or the stature of its accomplishment. Conversely, Dwight Howard will be considered a lesser player than Derrick Rose should Rose win the MVP. And in the meantime, we come up with reasons it shouldn’t win. The criticisms of “The Social Network” are either one of personal preference or independent of the film’s consideration for Best Picture. Instead, Dwight Howard is somehow a “lesser player” because he’s not the MVP in the mind of critics. In reality? Rose, Howard, James, along with the other candidates are all incredible players. It should be a huge honor and something to appreciate when a player becomes worthy of MVP-consideration, not an opportunity to dissect their game and blow gigantic nitpicks out of proportion.

But therein lies the huge difference between the two awards.

The Oscars are an opportunity to celebrate what has been great in film during the season. The MVP is an opportunity to accentuate the differences in our personal feelings about players. Film is art, while basketball is sport, yet the sporting award is more based on feeling than the artistic award.

With that, here are some parallels from tonight’s Best Picture nominees to this season in the NBA:

“The King’s Speech”: Is there a more fitting parallel to the Duke of York engaging with a speech therapist than Dwight Howard working with Hakeem Olajuwon and Patrick Ewing on developing a jump shot? It represents the expansion of his game and overcoming something he’s particularly sensitive about. Nevermind that Helena Bonham Carter is Stan Van Gundy in this scenario.

“The Social Network”: Egomaniac driven by a complicated relationship with friends, stabbing the people who got him to where he is in the back in pursuit of global dominance while befriending a slick set of friends in a nicer locale, threaded by a sad and desperate need to be close to people to avoid being lonely? I mean, I don’t have to spell this out, right?

“The Black Swan”: A psychosexual thriller. Tread carefully. Let’s go with Carmelo Anthony, struggling to achieve what he believes he’s destined for and the immense pressure that surrounds it. The personal circumstances surrounding this season are his own skin removal.

“The Fighter’: The tale of dealing with a brother’s downfall due to chemical addiction and the ever-popular theme of overcoming all odds is probably best fit for the Pacers. Tremendous initial success, followed by struggle including losing their coach, but now seemingly on track for the playoffs. This one could turn into a tragedy pretty quick, though.

“True Grit:” The Boston Celtics. We’re at the point now where it looks like the fugitive has escaped and all hope is lost. In this scenario, Danny Ainge is a drunken Rooster Cogburn.

“Toy Story 3”: The Suns. Think about it.

“127 Hours”: (chanting) Don’t make a Blazers joke. Don’t make a Blazers joke. Don’t make a Blazers joke. Don’t make a Blazers joke.

“Inception”: Orlando’s season, because they’re constantly trying to figure out whether they’re dreaming or not.

“Winter’s Bone”: The CBA negotiations.  Because it’s hard to watch, in a place few people think about in public, and a struggle to figure out what the right thing is.

Jazz boost international bona fides with new minor-league coach

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SALT LAKE CITY (AP) — Martin Schiller has been named coach of the Salt Lake City Stars, the Utah Jazz’s NBA G League affiliate.

Schiller previously served as an assistant coach of MHP Riesen Ludwigsburg in Germany and replaces Dean Cooper. He was an assistant coach for the Artland Dragons from 2010-15.

Schiller has also been an assistant coach on the German National Team since 2015, where he worked with Jazz assistant coach Alex Jensen.

Schiller hails from Vienna, Austria, and Stars vice president of basketball operations Bart Taylor lauded him for his international experience and player development background.

The Jazz organization is known to have close relationships with the international basketball community. The Jazz currently have eight international players.

Kyrie Irving will wear No. 11 with Celtics

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BOSTON (AP) — Newly acquired guard Kyrie Irving will wear No. 11 in Boston because the Celtics already have retired the numbers he wore in college and with the Cleveland Cavaliers.

Irving wore No. 11 at two New Jersey high schools before switching to No. 1 at Duke. He wore No. 2 with the Cavaliers for the first six years of his NBA career.

The Celtics retired No. 1 for founder and original owner Walter Brown. They retired No. 2 for former coach and general manager Red Auerbach.

In all, the Celtics have retired 21 numbers, with Paul Pierce’s No. 34 next in line for the TD Garden rafters.

 

PBT Extra: Cavaliers’ new GM aces first big test with Kyrie Irving trade

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Everyone in the NBA — heck, nearly everyone living in the Western hemisphere — knew Kyrie Irving wanted out of Cleveland. That should kill the Cavaliers’ leverage and make it hard to get enough quality back.

New GM Koby Altman — the guy thrust into the job when David Griffin was shown the door — pulled it off brilliantly.

That’s what I talk about in this new PBT Extra. With Isaiah Thomas and Jae Crowder, the Cavaliers remain the team to beat in the East this season. The Brooklyn Nets pick gives them flexibility going forward, whatever LeBron James decides to do next season.

First time at the plate in the big leagues and Altman crushed it to straight away center field.

Cavaliers-Celtics deal first offseason trade involving players who just met in NBA Finals or conference finals

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The Cavaliers and Celtics played in last year’s Eastern Conference finals. The teams were widely expected to meet there again.

Yet, Cleveland and Boston just completed a blockbuster trade – Kyrie Irving for Isaiah Thomas, Jae Crowder, Ante Zizic and the Nets’ 2018 first-round pick.

That seemed odd.

In fact, it’s unprecedented.

That is an incredible fact, one which speaks to LeBron Jamescachet. The Cavs are emphasizing this season, LeBron’s last before a player option, by loading up with veterans Thomas and Crowder. With LeBron still reigning in Cleveland, the Celtics are delaying their peak by acquiring the younger Irving.

Adding to the intrigue: the Cavs and Celtics are still favored to meet in this year’s conference finals. At minimum, they’ll face off in a(n even more) highly anticipated opening-night matchup.