The blog post about comparing the NBA and the Oscars

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You may have heard there’s an award show tonight. The Oscars are always a fun glance into the politics and business of the film industry. And they’re also a fascinating parallel to the MVP race in the NBA.

Much like the golden statues, there are no guidelines drawn for the MVP voters. There’s no set definition for what determines the winner, and as a result, there are always questions as to what in God’s name the voters are thinking.  They suffer from the same pitfalls, most notably, hype over performance, subject over context, and of course, the body of work argument.

Often times, most notably in the Best Actor/Best Actress categories, the award will be granted based on the fact that someone has been an influential performer for years, yet never rewarded with the perfect combination of subject matter and performance. The result is a reward for a career’s worth of work, instead of the individual performance granted, or film produced.  Take your pick of which MVP you disagree with in regards to this. Kobe in 2008, LeBron in 20o9, Karl Malone, etc.

Steve Nash is the most vigorously debated MVP of the modern era. Nash was so overrated that the reaction of calling him such made him underrated. Okay, not really, because that sentence is stupid. But Nash wasn’t granted a lifetime achievement award. Instead, he’s more the recipient of the product of hype. Essentially, Nash was “Forrest Gump” to Kobe Bryant’s “Pulp Fiction.” “Forrest Gump” is a brilliant film, well-executed, with masterful performances and direction. But “Pulp Fiction” is an influential film which lasted longer, had a greater cultural impact and was, well, cooler. I think if you consider the elements in play, that it’s hard to argue it was a better film than “Forrest Gump” though. And I say that as someone who owns the complete Tarantino collection.

At least the Oscars provide multiple opportunities to reward a film or performance. You don’t look at Defensive Player of the Year in the same frame as MVP, and there is no offensive player of the year. Why, we’re not sure. Offense is just as important as defense, in that at least you can hold your opponent to 20 points and still lose if you score 19. Wouldn’t creating such a trifecta of awards lessen the vitriol spit towards good players? Furthermore, for the Oscars, it means something just to be nominated. Even with the Best Picture nominees expanded to ten, the films on this year’s list gain a different level of success by having been nominated. “Winter’s Bone” for example, has no shot, but it gets the film in front of more people to appreciate its work.

Instead, with the MVP award, we find ourselves tearing down candidates based on our preferences. If “The Social Network’ falls to “The King’s Speech” tonight, it won’t diminish its cultural impact or the stature of its accomplishment. Conversely, Dwight Howard will be considered a lesser player than Derrick Rose should Rose win the MVP. And in the meantime, we come up with reasons it shouldn’t win. The criticisms of “The Social Network” are either one of personal preference or independent of the film’s consideration for Best Picture. Instead, Dwight Howard is somehow a “lesser player” because he’s not the MVP in the mind of critics. In reality? Rose, Howard, James, along with the other candidates are all incredible players. It should be a huge honor and something to appreciate when a player becomes worthy of MVP-consideration, not an opportunity to dissect their game and blow gigantic nitpicks out of proportion.

But therein lies the huge difference between the two awards.

The Oscars are an opportunity to celebrate what has been great in film during the season. The MVP is an opportunity to accentuate the differences in our personal feelings about players. Film is art, while basketball is sport, yet the sporting award is more based on feeling than the artistic award.

With that, here are some parallels from tonight’s Best Picture nominees to this season in the NBA:

“The King’s Speech”: Is there a more fitting parallel to the Duke of York engaging with a speech therapist than Dwight Howard working with Hakeem Olajuwon and Patrick Ewing on developing a jump shot? It represents the expansion of his game and overcoming something he’s particularly sensitive about. Nevermind that Helena Bonham Carter is Stan Van Gundy in this scenario.

“The Social Network”: Egomaniac driven by a complicated relationship with friends, stabbing the people who got him to where he is in the back in pursuit of global dominance while befriending a slick set of friends in a nicer locale, threaded by a sad and desperate need to be close to people to avoid being lonely? I mean, I don’t have to spell this out, right?

“The Black Swan”: A psychosexual thriller. Tread carefully. Let’s go with Carmelo Anthony, struggling to achieve what he believes he’s destined for and the immense pressure that surrounds it. The personal circumstances surrounding this season are his own skin removal.

“The Fighter’: The tale of dealing with a brother’s downfall due to chemical addiction and the ever-popular theme of overcoming all odds is probably best fit for the Pacers. Tremendous initial success, followed by struggle including losing their coach, but now seemingly on track for the playoffs. This one could turn into a tragedy pretty quick, though.

“True Grit:” The Boston Celtics. We’re at the point now where it looks like the fugitive has escaped and all hope is lost. In this scenario, Danny Ainge is a drunken Rooster Cogburn.

“Toy Story 3”: The Suns. Think about it.

“127 Hours”: (chanting) Don’t make a Blazers joke. Don’t make a Blazers joke. Don’t make a Blazers joke. Don’t make a Blazers joke.

“Inception”: Orlando’s season, because they’re constantly trying to figure out whether they’re dreaming or not.

“Winter’s Bone”: The CBA negotiations.  Because it’s hard to watch, in a place few people think about in public, and a struggle to figure out what the right thing is.

Gordon Hayward’s agent says return this season unlikely

Associated Press
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Wednesday night in Boston Gordon Hayward underwent surgery to repair his dislocated ankle and fractured tibia suffered just five minutes into the season-opening game, a gruesome injury that put a pall over the rest of the night.

There had been hope from some Celtics fans that Hayward could return this season, likely for the playoffs, but now that the surgery is complete Hayward’s agent told Adrian Wojnarowski of ESPN not to expect him back until next season.

This shouldn’t be a surprise to anyone who saw the injury. Hayward is in the first year of a four-year deal with the Celtics, they were always going to choose a cautious path rather than rush him back. Under Danny Ainge Boston has always taken the long view, even with all their moves this summer — specifically bringing in Hayward and Kyrie Irving — the target was to be the team set up for next as LeBron James and the Cavaliers faded. That plan does not change now.

Earlier in the day, Hayward had sent a video message out to Celtics fans thanking them for their support in the past 24 hours.

Without Hayward, the Celtics now will focus more on smaller lineups, rookie Jayson Tatum will get more run, as will Marcus Smart in his contract year. Jaylen Brown will be thrust into a more significant role. Also, Kyrie Irving will be asked to do more as the team’s second-best playmaker is now out for the season.

The Celtics will take a step back this season without Hayward, who was going to be crucial for them on both ends of the floor. That’s evidenced by their 0-2 start, falling to the Cavaliers and Bucks on the first couple nights of the season. Boston should still be a team well above .500 and in the playoffs, but they will not be quite the same this season.

Trail Blazers beat Suns by 48, biggest season-opening rout in NBA history

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Any controversy over C.J. McCollum‘s suspension for the season-opener should be put to rest. The Trail Blazers fared fine without him.

More than fine.

Portland beat the Suns, 124-76, Wednesday. The 48-point margin is the largest ever in a season opener, even as the Trail Blazers let a 58-point fourth-quarter lead dwindle.

Here are the most lopsided season-openers in NBA history (openers for both teams appearing twice):

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The 48-point defeat is also the Suns’ worst lost in franchise history, topping a 44-point loss to the Seattle SuperSonics in 1988. It could be a long year in Phoenix.

Marcus Smart and Matthew Dellavedova scrap (video)

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Marcus Smart and Matthew Dellavedova thrive on aggravating opponents, so when matched up, of course they aggravated each other.

Deduct points from Smart for pulling the hold-me-back charade behind a referee. Plus, Dellavedova’s Bucks beat Smart’s Celtics, 108-100.

Report: ‘Tremendous concern’ for Jeremy Lin’s knee injury

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The Nets’ projected record this season came under greater scrutiny when the Celtics traded Brooklyn’s unprotected first-round pick to the Cavaliers in the Kyrie Irving trade. After finishing third-to-last and last the previous two years, were the Nets poised to take a step forward, or would they convey a very high pick to the Cavs?

Jeremy Lin, who missed 46 games last season, getting healthy was a reason for optimism in Brooklyn and pessimism in Cleveland. But it appears the veteran guard could be out a while.

Adrian Wojnarowski of ESPN:

Billy Reinhardt of Nets Daily:

If the injury is as bad as feared, what a bummer for Lin. He came to Brooklyn expecting to play a leading role on a developing team, and he just can’t stay healthy.

The Nets were probably more focused on developing their younger players, but – especially without their own draft picks – there was no harm in shooting for the playoffs. This appears to a blow to that (already unlikely) dream.

It’s a boon to the Cavaliers, though. And whenever something significantly affects LeBron James‘ team, it has ramifications into the entire power dynamic of the Eastern Conference. For an injury to a player on a team most expect to be bad, the medical developments here will be tracked closely around the league.