Oscar statues at the Kodak Theatre, whic

The blog post about comparing the NBA and the Oscars

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You may have heard there’s an award show tonight. The Oscars are always a fun glance into the politics and business of the film industry. And they’re also a fascinating parallel to the MVP race in the NBA.

Much like the golden statues, there are no guidelines drawn for the MVP voters. There’s no set definition for what determines the winner, and as a result, there are always questions as to what in God’s name the voters are thinking.  They suffer from the same pitfalls, most notably, hype over performance, subject over context, and of course, the body of work argument.

Often times, most notably in the Best Actor/Best Actress categories, the award will be granted based on the fact that someone has been an influential performer for years, yet never rewarded with the perfect combination of subject matter and performance. The result is a reward for a career’s worth of work, instead of the individual performance granted, or film produced.  Take your pick of which MVP you disagree with in regards to this. Kobe in 2008, LeBron in 20o9, Karl Malone, etc.

Steve Nash is the most vigorously debated MVP of the modern era. Nash was so overrated that the reaction of calling him such made him underrated. Okay, not really, because that sentence is stupid. But Nash wasn’t granted a lifetime achievement award. Instead, he’s more the recipient of the product of hype. Essentially, Nash was “Forrest Gump” to Kobe Bryant’s “Pulp Fiction.” “Forrest Gump” is a brilliant film, well-executed, with masterful performances and direction. But “Pulp Fiction” is an influential film which lasted longer, had a greater cultural impact and was, well, cooler. I think if you consider the elements in play, that it’s hard to argue it was a better film than “Forrest Gump” though. And I say that as someone who owns the complete Tarantino collection.

At least the Oscars provide multiple opportunities to reward a film or performance. You don’t look at Defensive Player of the Year in the same frame as MVP, and there is no offensive player of the year. Why, we’re not sure. Offense is just as important as defense, in that at least you can hold your opponent to 20 points and still lose if you score 19. Wouldn’t creating such a trifecta of awards lessen the vitriol spit towards good players? Furthermore, for the Oscars, it means something just to be nominated. Even with the Best Picture nominees expanded to ten, the films on this year’s list gain a different level of success by having been nominated. “Winter’s Bone” for example, has no shot, but it gets the film in front of more people to appreciate its work.

Instead, with the MVP award, we find ourselves tearing down candidates based on our preferences. If “The Social Network’ falls to “The King’s Speech” tonight, it won’t diminish its cultural impact or the stature of its accomplishment. Conversely, Dwight Howard will be considered a lesser player than Derrick Rose should Rose win the MVP. And in the meantime, we come up with reasons it shouldn’t win. The criticisms of “The Social Network” are either one of personal preference or independent of the film’s consideration for Best Picture. Instead, Dwight Howard is somehow a “lesser player” because he’s not the MVP in the mind of critics. In reality? Rose, Howard, James, along with the other candidates are all incredible players. It should be a huge honor and something to appreciate when a player becomes worthy of MVP-consideration, not an opportunity to dissect their game and blow gigantic nitpicks out of proportion.

But therein lies the huge difference between the two awards.

The Oscars are an opportunity to celebrate what has been great in film during the season. The MVP is an opportunity to accentuate the differences in our personal feelings about players. Film is art, while basketball is sport, yet the sporting award is more based on feeling than the artistic award.

With that, here are some parallels from tonight’s Best Picture nominees to this season in the NBA:

“The King’s Speech”: Is there a more fitting parallel to the Duke of York engaging with a speech therapist than Dwight Howard working with Hakeem Olajuwon and Patrick Ewing on developing a jump shot? It represents the expansion of his game and overcoming something he’s particularly sensitive about. Nevermind that Helena Bonham Carter is Stan Van Gundy in this scenario.

“The Social Network”: Egomaniac driven by a complicated relationship with friends, stabbing the people who got him to where he is in the back in pursuit of global dominance while befriending a slick set of friends in a nicer locale, threaded by a sad and desperate need to be close to people to avoid being lonely? I mean, I don’t have to spell this out, right?

“The Black Swan”: A psychosexual thriller. Tread carefully. Let’s go with Carmelo Anthony, struggling to achieve what he believes he’s destined for and the immense pressure that surrounds it. The personal circumstances surrounding this season are his own skin removal.

“The Fighter’: The tale of dealing with a brother’s downfall due to chemical addiction and the ever-popular theme of overcoming all odds is probably best fit for the Pacers. Tremendous initial success, followed by struggle including losing their coach, but now seemingly on track for the playoffs. This one could turn into a tragedy pretty quick, though.

“True Grit:” The Boston Celtics. We’re at the point now where it looks like the fugitive has escaped and all hope is lost. In this scenario, Danny Ainge is a drunken Rooster Cogburn.

“Toy Story 3”: The Suns. Think about it.

“127 Hours”: (chanting) Don’t make a Blazers joke. Don’t make a Blazers joke. Don’t make a Blazers joke. Don’t make a Blazers joke.

“Inception”: Orlando’s season, because they’re constantly trying to figure out whether they’re dreaming or not.

“Winter’s Bone”: The CBA negotiations.  Because it’s hard to watch, in a place few people think about in public, and a struggle to figure out what the right thing is.

Before season starts, watch top 10 dunks of preseason

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Starting Tuesday night, the games matter. The dunks matter.

But before we move onto those dunks, let’s have some fun with the top 10 dunks of the meaningless preseason. They may not matter, but they certainly were fun.

Of course there are some expected highlights — can you have a dunk reel without Russell Westbrook? — but game-winning dunks always get the top slot.

Carmelo Anthony says rather than take knee during Anthem he wants action in communities

NEW YORK, NY - MARCH 26:  Carmelo Anthony #7 of the New York Knicks looks on against the Cleveland Cavaliers during their game at Madison Square Garden on March 26, 2016 in New York City.  NOTE TO USER: User expressly acknowledges and agrees that, by downloading and/or using this Photograph, user is consenting to the terms and conditions of the Getty Images License Agreement.  (Photo by Al Bello/Getty Images)

Colin Kaepernick certainly fired up a discussion — not always the conversation he intended, but a discussion of the treatment of African-Americans in our society was part of that conversation.

No NBA player has taken that same step through the preseason, taking a knee during the national anthem (only anthem singers have done that). Some teams are locking arms during the anthem in a show of solidarity, but they stand in two orderly rows.

Carmelo Anthony explained in an interview with Bleacher Report that what he and many others want to see is the next step in Kaepernick’s protest — action in the community.

“I’m past the gestures,” New York Knicks star Carmelo Anthony told B/R Mag. “I’m past that. It’s all about creating things now and putting things in motion. So, that’s what I’m on. I’m trying to get guys on board with that and help them understand that—enough of the gesturing and talking and all of that stuff—we need to start putting things in place….

“He’s done it,” Anthony said of Kaepernick. “He was courageous enough to do that. He created that. He created the kneeling and that protest. And people fell in line with that. Some people supported it. Some people didn’t. But at the end of the day, and I’m not taking nothing away from him…I just don’t think the gesturing is creating anything. I think it’s bringing awareness, but I think doing stuff and creating awareness in the communities [is more effective].”

What are those things? Players, the players’ union, the NBA itself, and it’s teams are all working to figure that out. This is not something where one blanket program fits all — what is needed in communities in New York is different from the needs in Milwaukee, is different from the needs in Sacramento. This needs to be local, with players involved.

There have already been some steps. The Bulls held a basketball tournament between police and a mentoring agency, which was followed by a panel discussion. Dwyane Wade biked with police through Miami. The Grizzlies have revived the Police Athletic League in Memphis. And that’s just the tip of the iceberg, there are teams from New Orleans to Los Angeles are working to bring youth and police together to talk.

It’s a start. A good start.

There is no one magic gesture, no one simple measure that can heal the deep divides in our nation right now. There are no easy answers, and as a nation we can be too dependent on easy answers. We need to listen. We need to talk to each other, not at each other. We need to practice empathy.

NBA players can help lead that effort, that conversation. It would be the next step after a protest — to act on those steps. Good on Anthony and the NBA for attempting to go down that road.


Rockets change from earlier reports, waive Pablo Prigioni, keep Tyler Ennis

HOUSTON, TX - MAY 17:  Pablo Prigioni #9 of the Houston Rockets celebrates in the third quarter against the Los Angeles Clippers during Game Seven of the Western Conference Semifinals at the Toyota Center for the 2015 NBA Playoffs on May 17, 2015 in Houston, Texas. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and/or using this photograph, user is consenting to the terms and conditions of the Getty Images License Agreement.  (Photo by Scott Halleran/Getty Images)
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The Rockets traded for Tyler Ennis., sending Michael Beasley away in the deal.

Which is why it was a bit of a surprise on Monday when early reports had the Rockets waiving Ennis, but either the report was off or the Rockets changed their minds.

With Patrick Beverley out injured, this leaves the Rockets thin at the traditional point guard spot. However, in practice James Harden, Eric Gordon and others will initiate Mike D’Antoni’s offense, so the bigger challenge will be defensively. Prigioni was not much help there at this point in his career.

I wouldn’t be surprised if a team snaps up Prigioni as insurance, or he certainly can make money overseas. Prigioni played last season as a backup point guard for the Clippers.

Want some dance lessons from Hassan Whiteside? We got that.

MIAMI, FL - SEPTEMBER 26: A portrait of Hassan Whiteside #21 of the Miami Heat on September 26, 2016 in Miami, Florida. (Photo by Rob Foldy/Getty Images)
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Miami’s Hassan Whiteside is a lot of things: An elite shot blocker, up-and-coming NBA star who worked hard for the right to be that, a Heat cornerstone.

Dance instructor?

I’m not sold, but he’s showing off his groove in this Twitter video.

When you get a $98.6 million contract, you can do whatever you want. So he can be a dance if he wants to.