Oscar statues at the Kodak Theatre, whic

The blog post about comparing the NBA and the Oscars

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You may have heard there’s an award show tonight. The Oscars are always a fun glance into the politics and business of the film industry. And they’re also a fascinating parallel to the MVP race in the NBA.

Much like the golden statues, there are no guidelines drawn for the MVP voters. There’s no set definition for what determines the winner, and as a result, there are always questions as to what in God’s name the voters are thinking.  They suffer from the same pitfalls, most notably, hype over performance, subject over context, and of course, the body of work argument.

Often times, most notably in the Best Actor/Best Actress categories, the award will be granted based on the fact that someone has been an influential performer for years, yet never rewarded with the perfect combination of subject matter and performance. The result is a reward for a career’s worth of work, instead of the individual performance granted, or film produced.  Take your pick of which MVP you disagree with in regards to this. Kobe in 2008, LeBron in 20o9, Karl Malone, etc.

Steve Nash is the most vigorously debated MVP of the modern era. Nash was so overrated that the reaction of calling him such made him underrated. Okay, not really, because that sentence is stupid. But Nash wasn’t granted a lifetime achievement award. Instead, he’s more the recipient of the product of hype. Essentially, Nash was “Forrest Gump” to Kobe Bryant’s “Pulp Fiction.” “Forrest Gump” is a brilliant film, well-executed, with masterful performances and direction. But “Pulp Fiction” is an influential film which lasted longer, had a greater cultural impact and was, well, cooler. I think if you consider the elements in play, that it’s hard to argue it was a better film than “Forrest Gump” though. And I say that as someone who owns the complete Tarantino collection.

At least the Oscars provide multiple opportunities to reward a film or performance. You don’t look at Defensive Player of the Year in the same frame as MVP, and there is no offensive player of the year. Why, we’re not sure. Offense is just as important as defense, in that at least you can hold your opponent to 20 points and still lose if you score 19. Wouldn’t creating such a trifecta of awards lessen the vitriol spit towards good players? Furthermore, for the Oscars, it means something just to be nominated. Even with the Best Picture nominees expanded to ten, the films on this year’s list gain a different level of success by having been nominated. “Winter’s Bone” for example, has no shot, but it gets the film in front of more people to appreciate its work.

Instead, with the MVP award, we find ourselves tearing down candidates based on our preferences. If “The Social Network’ falls to “The King’s Speech” tonight, it won’t diminish its cultural impact or the stature of its accomplishment. Conversely, Dwight Howard will be considered a lesser player than Derrick Rose should Rose win the MVP. And in the meantime, we come up with reasons it shouldn’t win. The criticisms of “The Social Network” are either one of personal preference or independent of the film’s consideration for Best Picture. Instead, Dwight Howard is somehow a “lesser player” because he’s not the MVP in the mind of critics. In reality? Rose, Howard, James, along with the other candidates are all incredible players. It should be a huge honor and something to appreciate when a player becomes worthy of MVP-consideration, not an opportunity to dissect their game and blow gigantic nitpicks out of proportion.

But therein lies the huge difference between the two awards.

The Oscars are an opportunity to celebrate what has been great in film during the season. The MVP is an opportunity to accentuate the differences in our personal feelings about players. Film is art, while basketball is sport, yet the sporting award is more based on feeling than the artistic award.

With that, here are some parallels from tonight’s Best Picture nominees to this season in the NBA:

“The King’s Speech”: Is there a more fitting parallel to the Duke of York engaging with a speech therapist than Dwight Howard working with Hakeem Olajuwon and Patrick Ewing on developing a jump shot? It represents the expansion of his game and overcoming something he’s particularly sensitive about. Nevermind that Helena Bonham Carter is Stan Van Gundy in this scenario.

“The Social Network”: Egomaniac driven by a complicated relationship with friends, stabbing the people who got him to where he is in the back in pursuit of global dominance while befriending a slick set of friends in a nicer locale, threaded by a sad and desperate need to be close to people to avoid being lonely? I mean, I don’t have to spell this out, right?

“The Black Swan”: A psychosexual thriller. Tread carefully. Let’s go with Carmelo Anthony, struggling to achieve what he believes he’s destined for and the immense pressure that surrounds it. The personal circumstances surrounding this season are his own skin removal.

“The Fighter’: The tale of dealing with a brother’s downfall due to chemical addiction and the ever-popular theme of overcoming all odds is probably best fit for the Pacers. Tremendous initial success, followed by struggle including losing their coach, but now seemingly on track for the playoffs. This one could turn into a tragedy pretty quick, though.

“True Grit:” The Boston Celtics. We’re at the point now where it looks like the fugitive has escaped and all hope is lost. In this scenario, Danny Ainge is a drunken Rooster Cogburn.

“Toy Story 3”: The Suns. Think about it.

“127 Hours”: (chanting) Don’t make a Blazers joke. Don’t make a Blazers joke. Don’t make a Blazers joke. Don’t make a Blazers joke.

“Inception”: Orlando’s season, because they’re constantly trying to figure out whether they’re dreaming or not.

“Winter’s Bone”: The CBA negotiations.  Because it’s hard to watch, in a place few people think about in public, and a struggle to figure out what the right thing is.

Draymond Green, Kevin Durant take turns playing while holding Durant’s shoe (video)

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The adventures of Kevin Durant‘s shoe:

  • Falls off as Durant shoots a jumper
  • Left on the far side of the court for an entire Warriors defensive possession
  • Lightly kicked by 76ers forward Robert Covington, who should have tossed it into the crowed
  • Picked up by Draymond Green, who sets a screen while holding it
  • Tossed by Green to Durant
  • Held by Durant as he defends and tips a rebound
  • Put back on by Durant just in time for him to assist Stephen Curry

Patrick Patterson falls on his back, still strips Derrick Rose (video)

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This is mostly good effort by Patrick Patterson. It’s also bad luck for Derrick Rose, who’s not accustomed to avoiding a player lying on his back.

But it’s hard to resist the jokes about Rose losing a step to the point he can no longer beat even a man who’d fallen on his back off the dribble.

 

Potential top-three NBA-draft prospect, Kansas’ Josh Jackson, charged with misdemeanor property damage

Kansas Jayhawks guard Josh Jackson (11) during a time-out against the Baylor Bears the first half of an NCAA college basketball game in Lawrence, Kan., Wednesday, Feb. 1, 2017. (AP Photo/Reed Hoffmann)
AP Photo/Reed Hoffmann
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Markelle Fultz is the consensus top prospect in the 2017 NBA draft, and Lonzo Ball is a strong second.

Leading the pack for third? Probably Kansas forward Josh Jackson.

But Jackson’s résumé is now tainted by a misdemeanor property-damage charge.

The incident, which allegedly involved Kansas teammate Lagerald Vick and Kansas women’s basketball playerMcKenzie Calvert, occurred just before 2 a.m. Dec. 9.

Laura Bauer and Mara Rose Williams of The Kansas City Star:

Calvert is the same female KU student who a university investigation found Vick likely committed domestic violence against more than a year ago.

Calvert reportedly threw a drink on a male patron while leaving the bar. The Star has learned that the patron was Vick.

Jackson followed Calvert to her car, according to the release, and they argued. Witnesses saw Jackson kick the driver’s door of Calvert’s car and kick a rear taillight.

The Star has learned that Calvert — a standout on the women’s team — was in the driver’s seat while Jackson kicked her car.

Investigators have interviewed several people who witnessed the reported crime. A police report categorized the $2,991 in total damage to the car as a felony. But Friday’s release listed the damage at a higher amount, $3,150.45.

“Felony criminal damage (damage in excess of $1,000) was not charged because the state cannot prove beyond a reasonable doubt that all the damage to the door and taillight were caused by Jackson,” the release said.

Jackson said in a statement he would pay for damage he “directly caused.” Kansas coach Bill Self, in his statement, called Jackson a “great ambassador for this university.”

NBA teams shouldn’t and probably won’t blindly accept Self’s self-interested assessment. Jackson’s conduct will likely be investigated during the pre-draft process, determining where it falls on the spectrum of a youthful transgression and the hot-button issue of domestic violence.

The better Jackson plays, the more forgiving teams will be. Right or wrong, that’s how it works. But this incident will be included in the overall assessment of Jackson.

Pelicans searching for right plan with DeMarcus Cousins in fold

NEW ORLEANS, LA - FEBRUARY 23:  DeMarcus Cousins #0 of the New Orleans Pelicans and Anthony Davis #23 react during the first half of a game against the Houston Rockets at the Smoothie King Center on February 23, 2017 in New Orleans, Louisiana. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement.  (Photo by Jonathan Bachman/Getty Images)
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METAIRIE, La. (AP) — As Anthony Davis and DeMarcus Cousins hoisted up extra shots near one another after practice, Pelicans coach Alvin Gentry stood in a far corner of the club’s practice gym, trying to explain why New Orleans hasn’t won in three games since the All-Star big men became teammates.

“We have to become more consistent, and the only way you can become more consistent, I think, is that you’ve got to consistently have the same people out there so that you’re learning the ins and outs of a system and learning the ins and outs of each other,” Gentry said Monday.

“I do feel good about the progress we’ve made the last three games, and I think we’re just going to continue to get better,” Gentry added. “Unfortunately for us, we’ve got to do it on the fly. That’s really tough to do in some situations.”

The trade that brought in Cousins last week sent three guards – Tyreke Evans, Buddy Hield and Langston Galloway – to the Kings. New Orleans then added two free agent guards – Hollis Thompson and Jarrett Jack – to the regular rotation in the past week.

“We’ve just got to stay with it,” Pelicans forward Solomon Hill said. “Minutes change for people, and we have new roles that we have to learn.”

That seems to be the case for everyone but Davis and Cousins. Davis has averaged 35.3 points and 10 rebounds in the past three games. Cousins has averaged 23.3 points and 13 rebounds despite being limited to less than 30 minutes per game by foul trouble. During a loss at Oklahoma City on Sunday night, Cousins had 31 points and 10 rebounds in only 21 minutes before fouling out.

However, Gentry has noticed instances when Davis and Cousins may be trying too hard to defer to one another.

“They are producing in the team concept, but unfortunately right now, after three games, they’re much better when one or the other one is off the court,” Gentry said. “We have to find a way to make that work when both of them are on the court.”

That might not be an issue on Wednesday night, when Cousins is expected to serve a one-game suspension for receiving his 18th technical foul this season Sunday night in Oklahoma City. He’ll only play if the league rescinds that technical on appeal from the club.

Cousins’ arrival also seems to have affected point guard Jrue Holiday‘s game in unexpected ways. Holiday averaged 21.4 points and eight assists in the 10 games before the trade. Since, he has averaged 10 points, six assists and 5.3 turnovers.

Davis said part of Holiday’s problem is that “he’s looking to be a pass-first point guard.”

“We don’t need him to come out and try to be a guy who’s getting 15 assists. That’s not who he is,” Davis said. “He’s a great scorer and a great defender. … When you’ve got two guys that you want to give them the ball as much as possible, you just overthink a lot.”

Holiday said he appreciates the advice but added that it’s hard to ignore the temptation to pass to Davis or Cousins when “they’re so dominant in the paint.”

“We’re trying to figure something out that’s new to us and trying to get as good at it as possible as quick as we can,” Holiday said.

The Pelicans often don’t practice the day after ending a road trip, but Gentry decided to bring them in on Monday and instead give them off on Tuesday, which is Mardi Gras, a state holiday in Louisiana. Davis and Cousins were invited to ride in the historic Zulu Social Aid and Pleasure Club parade – the same one in which Louis Armstrong rode in 1949.

Gentry thought it was important to encourage participation in Mardi Gras, suggesting that those who’ve never experienced it in person don’t have “any idea of the magnitude of what it means to the city and what it means to the people.”

Perhaps the chance to celebrate Mardi Gras like a local will inspire the Pelicans to make Lent, which starts Wednesday, more festive than usual for area basketball fans.